Sct13
Platinum Supporting Member
- Joined
- Sep 17, 2011
- Messages
- 21,755
- Reaction score
- 29,103
The reds reflect more of the Hydrogen side of the spectrum and Gibson's especially lie to your camera. You need to de saturate the red channel and use your eyes to match.
The digital sensors are so sensitive to the red side of the spectrum that the camera makers even place green filters in front of some to help balance the output photo with the white balance.....but something about the Gibson reds just penetrates and tricks the cameras. I have never seen this phenomenon before with any other subject. Except maybe bright orange poppies
I think that whoever shot BOTB was a pro but I don't think he was aware of the Trickster paint of Gibson....so now the referenced guitars are all too orange....they should be more browner and tea colored by a few shades.
The digital sensors are so sensitive to the red side of the spectrum that the camera makers even place green filters in front of some to help balance the output photo with the white balance.....but something about the Gibson reds just penetrates and tricks the cameras. I have never seen this phenomenon before with any other subject. Except maybe bright orange poppies
I think that whoever shot BOTB was a pro but I don't think he was aware of the Trickster paint of Gibson....so now the referenced guitars are all too orange....they should be more browner and tea colored by a few shades.