When Gibson gets it Right !!

FLICKOFLASH

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Where are the nah sayers then ?

Gibson.com: Gibson Custom Collectors Choice #2 1959 Les Paul "Goldie"

Collectors Choice #2 1959 Les Paul "Goldie"Launched in the spring of 2010, Gibson Custom's Collector's Choice™ '59 Les Paul series focuses on meticulous recreations of rare and specific existing examples from the extremely short run of Les Paul Standards produced in 1959.

The second model produced in this series, serial number 9-0629 (aka "Goldie") is an instrument that presents several of the most desirable aspects of these highly sought-after electric guitars. Crafted with close analysis of the original by Gibson Custom, including digital scanning and measurement from every conceivable perspective, "Goldie" totally embodies the spirit of the Collector's Choice™ series by recreating this original individual '59 Les Paul in as near-to-perfect detail as is humanly possible. As such, the instrument presents a rare opportunity for players and collectors alike: a precise reincarnation of the look, tone, and feel of one of the world's most elusive electric guitars. "Goldie" will be reproduced in strictly limited numbers, with all guitars sent to world-renowned guitar-aging artist Tom Murphy for hand aging.

"Goldie" is an exciting opportunity not only because it is such a gorgeous Les Paul, but also because its ownership is extremely well documented, with only the first few years of its existence after heading from Gibson's Kalamazoo factory to its first owner near Deer Park, Texas, remaining slightly hazy. Having resurfaced in the early 80's at one of the first Dallas guitar shows, "Goldie" has graced the collections of several noted burst aficionados including Vic Da Pra and Tom Wittrock, the guitar is currently in the care of an anonymous collector and on loan to Gibson Custom. The guitar has also been extremely well cared for in its 52 years on this planet, suffering some of the minor nicks and dings that all well-played instruments experience in half a century of use—all precisely recreated by Tom Murphy's hand aging—but no breaks, repairs, or modifications. Also, this '59 Les Paul Standard's finish has naturally mellowed to a sweet, rich, golden "unburst," a luscious deep "green lemon" amber tone at the center with just a hint of darkening around the edges, giving it a look that many collectors adore. To precisely recreate the appearance of the original in the top of Collector's Choice™ #2 9-0629 aka "Goldie" Gibson Custom has hand selected figured maple with a broad, elegant flame and "slip matched" the two pieces to present the same degrees of depth and dimension. Hand-finished in nitrocellulose lacquer and hand aged, this top is partnered by a light one-piece mahogany back which has faded to match the original's soft, mellow reddish-brown.

The playing feel of Collector's Choice™ #2 9-0629 aka "Goldie" is ensured by a precise analysis of the neck profile of the original 1959 Les Paul Standard upon which it is based, and its perfect recreation in the one-piece quarter-sawn mahogany neck of this Custom Shop creation. The result is a gorgeously rounded late-'50s profile that measures approximately .900" at the 1st fret and .990" at the 12th. The rosewood fingerboard is bound in vintage-accurate and aged plastic, as is the body top, and a genuine nylon 6/6 nut and vintage-style tuners with single-band green keys grace the headstock. To recreate the tone of this rare Les Paul, Gibson Custom has selected a Burstbucker 1 for the bridge position and Burstbucker 3 for the neck, a pairing that accurately reflects the mismatch in output that was often found in original PAF sets. Together, they present a woody, throaty tone from the neck, and impressive chime and clarity from the bridge. All in all, Collector's Choice™ #2 9-0629 aka "Goldie" is a total delight in sound, feel, and appearance, and the closest many players and collectors are ever likely to get to owning an actual 52-year-old 1959 Les Paul Standard.
Collectors-Choice-2-1959-Les-Paul-Goldie.aspx
 

ext1jdh

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Am I reading that right? $12000 for reproductions of the original guitar? Isn't that a little steep?
 

captcoolaid

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That is a beautiful guitar but for 12 grand no way. To many killer guys doing the same if not better for half that price.
 

nicolasrivera

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That is a beautiful guitar but for 12 grand no way. To many killer guys doing the same if not better for half that price.

Exactly, just because its Gibson they think they are doing better then any body and just charge triple for it.... And they tell me Henry "nutjob" J. should stay as CEO... Yeah right....
 

MaliBoo

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Im sure there are many good replica makers, but you have to be really careful in choosing one. A friend of mine has an r9 replica (i don't know who made it) that has killer top, brazilian rosewood and great pickups but on the other side average epiphone/tokai's neck is better.
 

Todd Louis

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Flick, I'm a nay sayer. this guitar is nothing different then a stock Murphy of today.
As to the "Changes" most of them according to Gibson had been done already.
"Scaning"...Etc. They Scaned Page's #1 and #2 and for the 50th Aniversarys on, They scaned 3 59's

And there are so many things they " left out" I could list them but yous know what I mean.

Now with that said I love the Guitar and I'd get one but I'm not gona pay a premium for it thats not worth it.

But ya its cool...
 

nicolasrivera

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Flick, I'm a nay sayer. this guitar is nothing different then a stock Murphy of today.
As to the "Changes" most of them according to Gibson had been done already.
"Scaning"...Etc. They Scaned Page's #1 and #2 and for the 50th Aniversarys on, They scaned 3 59's

And there are so many things they " left out" I could list them but yous know what I mean.

Now with that said I love the Guitar and I'd get one but I'm not gona pay a premium for it thats not worth it.

But ya its cool...
Yes, every owner will say this is the best sounding guitar ever built by Gibson....even knowing it used exactly the same woods used for the current Historic line...Ohhh no wait, they said that fir this one they where using authentic Mahogany.....thats the secret to tone!!!!:laugh2:
 

weirdotis

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So... um... I could almost have two Bartletts or a real '52, or an R9? I'll take the former.
 

SKATTERBRANE

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BRW? Organic Hide Glue? Celluloid inlays? Single line Kluson tuners with correctly beveled ferrules? Is CAB plastic used where appropriate? Are the pickup covers even close to being the right shape? And so on.

You see Gibson will NEVER get it right, and when they do, I am sure thousands of people will be on these forums celebrating.
 

TKOjams

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in 1959 it was, what, $350.00? In 2011 it's $12000.00. seems right to me.:laugh2:
 
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SKATTERBRANE

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Gibson will "get it right" when they make a Les Paul that is 100% indistinguishable from a new one that was build in 1959.
 

fritferret

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i hate that gibson does this. i just don't understand the pricing. they're an f'ing guitar company, not a furniture or trophy company so i just don't care about the "collector's piece" pricing argument.
 

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