skelingtony
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- Aug 20, 2010
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I am trying to downsize to smaller gear. Downsized from large heavy cabs, smaller pedalboard (still pretty large), getting rid of guitars that do not get used... But amplifiers are proving hard.
My favourite amp is a Marshall Vintage Modern head. In low dynamic mode it is a great clean pedal platform, in high dynamic mode it has amazing overdrive/distortion - pretty much the sound I have in my head when I write songs, and the sound I try to get from pedals with other amps.
It sounds great loud (and it is LOUD) but I can also turn it down to home practice levels using the master volume, where it doesn't sound as good but is still very useable.
But it is too large. I really want a head that is roughly similar in what it can do, just smaller.
I like my fuzzes into a cleanish amp, not an overdriven or edge of breakup amp so I need something with lots of 'clean' volume - that takes pedals well with lots of uncompressed clean headroom.
But I also want the amp to do the overdrive/distortion thing well without pedals.
I play doom/stoner/alt rock/ambient stuff in my current band, with a hard hitting drummer.
I have tried:
Orange Micro Dark - not enough clean headroom, needs an EQ and a reverb in the effects loop to work well for me as the simple 'shape' control was problematic with my setup, and just isn't loud enough with a drummer if used as a clean pedal platform. Still have this one as a spare.
Marshall DSL heads - great distortion tones, but not much clean headroom, sounded squashed or compressed if I hit with a fuzz, especially playing loud live. Got rid of this.
Fender Bassbreaker - really didn't like this one for my needs
Orange CR120 Super Crush - almost there. Great clean pedal platform, and almost great for overdriven/distorted tones - but those tones have (to my ear) and unpleasant solid state fizz on note decay, and when playing quieter for dynamics - like an overdrive pedal rather than an amp distorting. Still have this one.
Marhall Origin 20 - does half the job. Possibly the best 'pedal platform' amp I have ever used. Beautiful cleans, and takes fuzz pedals amazingly, with lots of clean uncompressed headroom. Incredible. BUT does not actually get distortion and overdrive unless run very very loud, and when it does it is not the slightly angular, cutting 'vintage aggressive' sound I like to use with the Vintage Modern.
Any suggestions? Anyone else using a smaller valve head both live and at home both as a clean pedal platform, and overdriven/distorted?
I liked the look of the Marshall Studio Vintage but have been told it doesn't get drive/distortion at home volume levels like the vintage modern can (is this true?), and the Marshall Studio Classic but have been told that this just doesn't have enough clean headroom and clean volume for a band if gain is set to c2.5 as I typically would for a JCM800 using fuzzes. It's hard to test the Studio Classic without bringing an OpAmp muff and playing at gigging volume at the store, which they would not appreciate.
I am about to give up and just use pedals for my overdrive sounds, as it feels like I am keeping a large, heavy full sized valve head just as a big distortion pedal, albeit a very very nice one.
My favourite amp is a Marshall Vintage Modern head. In low dynamic mode it is a great clean pedal platform, in high dynamic mode it has amazing overdrive/distortion - pretty much the sound I have in my head when I write songs, and the sound I try to get from pedals with other amps.
It sounds great loud (and it is LOUD) but I can also turn it down to home practice levels using the master volume, where it doesn't sound as good but is still very useable.
But it is too large. I really want a head that is roughly similar in what it can do, just smaller.
I like my fuzzes into a cleanish amp, not an overdriven or edge of breakup amp so I need something with lots of 'clean' volume - that takes pedals well with lots of uncompressed clean headroom.
But I also want the amp to do the overdrive/distortion thing well without pedals.
I play doom/stoner/alt rock/ambient stuff in my current band, with a hard hitting drummer.
I have tried:
Orange Micro Dark - not enough clean headroom, needs an EQ and a reverb in the effects loop to work well for me as the simple 'shape' control was problematic with my setup, and just isn't loud enough with a drummer if used as a clean pedal platform. Still have this one as a spare.
Marshall DSL heads - great distortion tones, but not much clean headroom, sounded squashed or compressed if I hit with a fuzz, especially playing loud live. Got rid of this.
Fender Bassbreaker - really didn't like this one for my needs
Orange CR120 Super Crush - almost there. Great clean pedal platform, and almost great for overdriven/distorted tones - but those tones have (to my ear) and unpleasant solid state fizz on note decay, and when playing quieter for dynamics - like an overdrive pedal rather than an amp distorting. Still have this one.
Marhall Origin 20 - does half the job. Possibly the best 'pedal platform' amp I have ever used. Beautiful cleans, and takes fuzz pedals amazingly, with lots of clean uncompressed headroom. Incredible. BUT does not actually get distortion and overdrive unless run very very loud, and when it does it is not the slightly angular, cutting 'vintage aggressive' sound I like to use with the Vintage Modern.
Any suggestions? Anyone else using a smaller valve head both live and at home both as a clean pedal platform, and overdriven/distorted?
I liked the look of the Marshall Studio Vintage but have been told it doesn't get drive/distortion at home volume levels like the vintage modern can (is this true?), and the Marshall Studio Classic but have been told that this just doesn't have enough clean headroom and clean volume for a band if gain is set to c2.5 as I typically would for a JCM800 using fuzzes. It's hard to test the Studio Classic without bringing an OpAmp muff and playing at gigging volume at the store, which they would not appreciate.
I am about to give up and just use pedals for my overdrive sounds, as it feels like I am keeping a large, heavy full sized valve head just as a big distortion pedal, albeit a very very nice one.