asmith9509
Senior Member
- Joined
- Jun 6, 2008
- Messages
- 225
- Reaction score
- 2
Greetings all. I am an avid tweaker of my LP, and have put a lot of time and effort into getting the tone that I like. Here's my basic setup:
- 1980 LP Custom
- WB VTP (PAF-style) pickups
- 50's wiring
- RS guitarworks 500k volume pots
- CTS 500k audio taper tone pots
- Vitamin Q caps; .022ufd bridge, .015ufd neck
I really like where I'm at with this project EXCEPT the dreaded treble loss with volume adjustment on the neck pickup. If I run it at anything other than 10, it gets muddy quickly. The 50's wiring higher value pots, and lower value tone cap helped some, but not enough.
So- I've considered adding a treble bleed network. However, it seems like a very contrived solution to me; using another conjunctive filter to offset the disadvantages of the first? Before I get a bunch of caps/resistors, I want to try a different approach.
I'm thinking about installing a SPST switch under the pickguard to disconnect the tone circuit from the neck pickup entirely. That way, when switched out, the volume pot would no longer be a variable resistor in a low pass filter, and should pass a full bandwidth signal to the output. I think I can live without using the tone control at lower volumes.
I really like the way that this guy installed his switch:
Treble Bleed Circuits Explained!
Has anyone tried this? I plan to de-solder the tone cap tomorrow night, just to see if it helps. I'll report back.
- 1980 LP Custom
- WB VTP (PAF-style) pickups
- 50's wiring
- RS guitarworks 500k volume pots
- CTS 500k audio taper tone pots
- Vitamin Q caps; .022ufd bridge, .015ufd neck
I really like where I'm at with this project EXCEPT the dreaded treble loss with volume adjustment on the neck pickup. If I run it at anything other than 10, it gets muddy quickly. The 50's wiring higher value pots, and lower value tone cap helped some, but not enough.
So- I've considered adding a treble bleed network. However, it seems like a very contrived solution to me; using another conjunctive filter to offset the disadvantages of the first? Before I get a bunch of caps/resistors, I want to try a different approach.
I'm thinking about installing a SPST switch under the pickguard to disconnect the tone circuit from the neck pickup entirely. That way, when switched out, the volume pot would no longer be a variable resistor in a low pass filter, and should pass a full bandwidth signal to the output. I think I can live without using the tone control at lower volumes.
I really like the way that this guy installed his switch:
Treble Bleed Circuits Explained!
Has anyone tried this? I plan to de-solder the tone cap tomorrow night, just to see if it helps. I'll report back.