Hawk8789
Senior Member
- Joined
- Mar 13, 2013
- Messages
- 160
- Reaction score
- 123
Hello all!
I have a Les Paul studio with a baked maple board. I do all my own refrets already, so I was thinking that when it's time, I'll replace the board with rosewood. Then I thought I'll add binding while I'm at it. Then I thought, if I'm gonna add binding I'll refinish the top while I'm at it because I don't like the rim burst as much as the tear drop. Then I thought I'll add a flame maple veneer while I'm at it.
I have plenty guitars, so I don't mind one being out of action for a while, but I've never done anything this big before. It's a great guitar so it's worth the work and I don't plan on selling it. I see it as a challenge, and I really want to do it just to see if I can.
Is it relatively painless to remove the neck on a studio, or should I give up on the binding?
Is a veneer thin enough to conform to the top carve or am I going to need to do something special?
Thanks everyone, and don't be afraid to tell me to tuck my tail between my legs and run...
I have a Les Paul studio with a baked maple board. I do all my own refrets already, so I was thinking that when it's time, I'll replace the board with rosewood. Then I thought I'll add binding while I'm at it. Then I thought, if I'm gonna add binding I'll refinish the top while I'm at it because I don't like the rim burst as much as the tear drop. Then I thought I'll add a flame maple veneer while I'm at it.
I have plenty guitars, so I don't mind one being out of action for a while, but I've never done anything this big before. It's a great guitar so it's worth the work and I don't plan on selling it. I see it as a challenge, and I really want to do it just to see if I can.
Is it relatively painless to remove the neck on a studio, or should I give up on the binding?
Is a veneer thin enough to conform to the top carve or am I going to need to do something special?
Thanks everyone, and don't be afraid to tell me to tuck my tail between my legs and run...