Robert Parker
Senior Member
- Joined
- Aug 3, 2010
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TLDR: Read below for context, but here's my question: why/when would y’all choose to scarf on a new headstock over carve a whole new neck, if ever?
I had a similar break to the OP that also failed at the splines after the firat repair. In the end, it was bad enough and on a Studio model that I'll never sell that I didn't really feel bad about degrading "resale value" (I'm pretty sure that ship had sailed even before this break). So, I ended up make a whole new neck while managing to reuse the original fretboard and headstock overlay. Now, I didn't do the most amazing job, but it plays great.
So, for pros and semi-pros, what's the benefit of the new headstock over a new neck? Is there a scenario where a new neck is smarter?
I had a similar break to the OP that also failed at the splines after the firat repair. In the end, it was bad enough and on a Studio model that I'll never sell that I didn't really feel bad about degrading "resale value" (I'm pretty sure that ship had sailed even before this break). So, I ended up make a whole new neck while managing to reuse the original fretboard and headstock overlay. Now, I didn't do the most amazing job, but it plays great.
So, for pros and semi-pros, what's the benefit of the new headstock over a new neck? Is there a scenario where a new neck is smarter?