Jimmy Page. Live tone was to die for. Studio tone sounded like a 1940's half-dead radio converted to a practice amp by an amateur..
I've tossed this around inside my head, and I don't have a good way to put it.
There are and have been very successful people that had shit for tone, and never seemed to notice, because the music sold, and because it made people feel good.
Sometimes here, we get caught up in wanting, needing, craving that tone that starts somewhere in the middle of your back, and climbs up your spine, and spreads goosebumps down both arms; I get that. Wow, do I get that.
But there's guys out there that have done very fvcking wonderful for themselves, making classic tunes and giga bucks, while having blah, ho hum mediocre tonez.
I get that too; the feel good, simplistic riffs and lyrics that everyone can relate to. Wow, do I get that too.
So I'll say it.
Bob Seegar and his '72 Tele custom sounded/sounds kinda lame, but you can't argue his success, or his feel good popular tunes.
I'd have loved had he had picked up a Lester and ran it thru a nice Marshall or Orange for a few tunes, but he never did that I know of. Or a SC tele, thru a twin or DR. Just a keyboard for change.
There's been a lot of others over the years, but Seegar is sort of the first guy that comes to mind to me.
Just once, I wish he'da kicked out the jams.
And, yet… I think exactly opposite.
His live tone was noise, most of it anyway. There were a few (read: FEW) moments of tone-excellence in his live performances. But, IMHO, the vast majority was utter rubbish.
The studio recordings, however, were tone-engineered marvels. Taking guitars and amps that no one, even to this day, would pair and combining them with creative microphone placements, produced memorable tones.
I could live without ever hearing any more live LZ performances. But, I've worn the grooves of most of my studio recordings.
Define tone in this situation? It seems no one is thinking alike on this.
Good to see you CS!Yea where im from Tone Deaf means you sing off key
always too sharp or too flat
You guys want to hear bad tone? Start listening to multitracks. Until you do, you don't really know what you're hearing.
Here's somne good examples... download and open. If it's a MOGG file, use Audacity.
Ramble On
Smoke on the Water -
China Grove
Layla
All Right Now
American Band (Since someone mentioned Grand Funk)
Rock and Roll is Dead (Someone mentioend Kravitz)
Rockin in the Free World (SOmeone mentioned Young.. awful, awful tone)
Pride and Joy
Crazy Train
Runnign with the Devil
enjoy.....
Go to 2:04. M'boy plays it just right for the song.
Lenny Kravitz It Ain't Over Till It's Over - Greatest Hits - YouTube
Uhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Nawt.
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What does a redneck know about soul music anyway?!
What does a redneck know about soul music anyway?!
Funny thing is, sometimes a crappy tone is exactly what the song needs given its mix.
I must be pretty old as I don't hear most of those multi-tracks as bad tone, just the tone that was used at the time.
Bad Tone is subjective.. I really like the Free tone in All Right Now. Put it in another song though, and it doesn't work well at all. Same for most tones, I've found.
In the song, they may sound great. Take it out, and it usually sounds like poo.
XRay;6447155 said:Good to see you CS!![]()