SHOOTOUT: Keeley 4-knob vs. CMATMODs vs. Wampler Ego

AxeChainsaw

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I did something a little crazy this week and bought three compressors to go head-to-head with my MXR Custom Comp. They all came recommended highly from different people for different reasons, and the only way to know which one was gonna work best was to get them all and compare em.

Let me start by saying that I play Hardcore/Metal, with a lot of gain on at all times, so my preferences might not be everyone's cup of tea, but I see a lot of metal heads looking for compressor comparisons like these..I know…I was one of them...so I hope this helps.

First off my MXR Custom Comp is a pretty sweet pedal. Good bypass, but the "punchy" tone of the comp is a little too much for me. Really "sounds" compressed. My goal was to just even out my highs while keeping my low chugs in tact. The Custom Comp worked well for a few months, but I knew there was something better out there.

So I got the CMATMODS Signa Deluxe Comp on the recommendation from someone on this site. It is very transparent, gives the right amount of push and the TONE control is a welcome addition to help dial in the EQ properly. Definitely was a step up from the MXR. Big fan.

The Keeley 4-knob Comp is probably the most highly recommended pedal I have ever seen online. It is also probably the best constructed pedal I've used, just a really nice piece of equipment. That said, I knew within one chord that it wasn't the pedal for me. It rolls off SOOOO much low end which might be fine for some players, but not for me. My Low E is my bread and butter, and I'm all for a little tightening up, but this was a Low Cut like I'd never heard before. I A/B'd it with my MXR and it wasn't even close. So much for the hype on that one. I already returned it.

Last comes the Wampler Ego Comp, and this was the hands down winner. And just like the Keeley, I knew it in the first few chords. I'm sure all you Tonefreaks will understand when I say that it just FELT right immediately. The tone I had in my head was there on the first strum. Low end stayed in tact while my high lead licks shone through. It had everything the CMATMODS Comp has, including the TONE knob, but the BLEND option was by far the piece de resistance. It gives an amazing amount of control between the dry and compressed signal. I dialed in a bunch of different tonal variations and was happy with all of them.

In the end, I'm gonna put the Wampler in my Gigging Pedal board, sell my MXR and put it towards another Wampler to go in my Home pedal board, and keep the CMATMOD just to mess around with a little more, but will probably use it as trade bait down the line.

So, in closing, I hope this helps others that are searching for a new compressor, especially those in similar genres. I found all the pedals used, so I saved a few bucks, and while they are more expensive than say a BOSS Cs-2 or Dyna Comp, the improvements in my sound are priceless.
 

dickjonesify

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Good show :applause:

About the Keeley though, did you mess with the "Clipping" knob much? I've been crazy picky about compression and had several really nice ones. Currently, I have a Keeley 4-knob clone made by Pedal Projects that I got through a trade. On it, the Clipping knob (bottom right) seems to go from way thin at 7:00 to fat and overdriven all the way up. I keep it at about 2:00 and don't experience much low end loss at all. Just a slight tightening.
Just curious if your Keeley reacted that way at all...
 

michaelinokc

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Nice review. I was thinking about a Keeley compressor and now it looks like I should rethink that.
 

dickjonesify

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But then again, I played an Ego once and hated it instantly :rofl: You never know, I guess. Everybody's different. Although I've heard there's and older version (which I probably played on) and a newer, better one :dunno:
 

AxeChainsaw

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Yes I did mess with the Clipping on the Keeley, and there was a variation in the tone, but still rolled of too much Low end. I like a lot of thump, like feel the room shake kind of thump…and I'm tuned to Standard, no drop-tuning…that's cheating. The Keeley neutered it keeping it all mid-rangey. Like I said it is all about preference, so my real suggestion is to swipe your credit card a few times and save the receipts...
 

Marshall & Moonshine

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I played my friend's Ego the other day and loved it, but I'm after a chikkin pikkin comp. Thanks for sharing!
 

Paulinator

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Yeah, I was going to say the Keeley will color your tone, adding high mids, so if you want to retain your lows then don't choose that one. I have the Keeley 4 knob and I love it, but I don't use it much with gain, and not really at all with high gain. I'm a metalhead too and I stack OD/Dist pedals to get ultra saturated gain. I find that high gain is already compressed so much that added compression doesn't help anything, if anything, it just raises the noise floor so high that I can't quiet my rig even with a Decimator. I use the Keeley for cleans and as a squash effect. The rare occasion I try it with high gain I end up having to boost the lows on my EQ pedal. I ALWAYS end up turning it off and going back to simply the OCD + Triple Wreck.
 

kboman

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Thanks for the comparison! It's good to get different perspectives here.

I was looking at the CMatmods, Wampler and VFE compressors myself when I found a good deal on the Dlx Signa Comp. Excellent pedal but not quite perfect for me (I play completely different kinds of music) - I would like a more dramatic squeeze but the treble control is highly useful and I'm happy for now.
 

Batman

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Excellent comparison! Yeah, it's great hearing reviews from different perspectives and genre's. . .it would be a boring world if we all played the same music!

I play stuff that although higher gain, would not be classified as metal. I wanted a comp that doesn't squash the sound; just evens things out slightly and sweetens the tone. I ended up with an Aphex Punch Factory Optical Compressor and am satisfied (for now) with the results.
 

AxeChainsaw

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I don't like a ton of squash either, which is why I like my 80-'s Marshall amps and not higher gain stuff like Diezel or Mesa. Just sound less processed to me. but I did want my Highs to stand out at the same volume of my chunky rhythms without sacrificing the Low end. The Wampler is doing that. I do use an MXR 10-band eq in my Effects loop as well to shape my sound a bit more than the Marshalls EQ, and the other compressors were pretty much nullifying what I had dialed in. The Wampler just offered me the most diversity between Attack, Sustain, Tone and Blend to give it just the right amount of squeeze. I'm Loving it!
 

Hector Arcadius

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Many thanks for taking the time to write this up. We can certainly use similar reviews around here.
 

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