Maybe it’s to differentiate it from the OTHER ‘61 Reissue SGs. You know, the not so accurate Reissue made in the Standard Shop.Beautiful grain and stain!
There is a reason for that. The standards are all automated where the 50s-60s had a lot of handmade work in assembly etc. to recreate that in modern guitars, it costs more…and they can charge more on top of that because of desirability.It’s ironic how all the reissue guitars built today in the Custom Shop are attempts at recreating the original guitars that were built on the regular production line.
And you get the over-inflated price tag to go with it.
Not sure you are disagreeing with me. If you want guitars made like the old ones you make the manufacturing process similar. You seem to agree that more labor is more expensive so therefore the cost of the guiar will reflect that.Nonsense.
Cost of labor is relative to the time period. The problem is that wages do not keep up with inflation.
There is no need to perform a repetitive task by hand that can be automated by machine which can achieve more consistent results.
Yeah that did come to mind. CS prices are bit painful but the USA just misses key specs (maybe on purpose).It’s ironic how all the reissue guitars built today in the Custom Shop are attempts at recreating the original guitars that were built on the regular production line.
And you get the over-inflated price tag to go with it.
Yeah, After having a few CS Gibsons and Fenders - the USA line are just a No-Go.Yeah that did come to mind. CS prices are bit painful but the USA just misses key specs (maybe on purpose).
Exactly. Why not just make all standard lines just the same way (construction/materials) as the way they originally came? And if you want to diversity the line; offer all significant models. Like a 1957 Custom (all mahogany), and a 1968 Custom with a Maple cap. Both are significant models in the Gibson catalog. You could also have a 1958 Explorer, a 1976 Explorer, and a Limited Edition 1984 Explorer.It’s ironic how all the reissue guitars built today in the Custom Shop are attempts at recreating the original guitars that were built on the regular production line.
And you get the over-inflated price tag to go with it.
I think it is price stratification. There is a vintage store I used to go to that tried to live off of big ticket items and struggled. When I worked in a music store in college most of my sales each week were under $200. You need models that almost everyone walking through the door can afford to increase market share. The USA model manufacturing is probably cheaper and can be sold at a cheaper price point. I think Fender because of the over all design of their instruments have an easier time maintaining similar quality on their lower priced models and the difference ends up being less. Not saying there isnt additional padding of prices done of which is to keep the brand name position as well as profit…I am sure there is.Exactly. Why not just make all standard lines just the same way (construction/materials) as the way they originally came? And if you want to diversity the line; offer all significant models. Like a 1957 Custom (all mahogany), and a 1968 Custom with a Maple cap. Both are significant models in the Gibson catalog. You could also have a 1958 Explorer, a 1976 Explorer, and a Limited Edition 1984 Explorer.
Leave all the Artist Models and aged models for the Murphy Lab.
Seems too simple. I don’t understand why Gibson’s Les Paul Standard is spec’d with a short tenon and a hybrid ABR-1 with Nashville bushings. That’s not the Standard! That’s like if I went to Chevy and purchased a Corvette, and instead of an actual V8, the Standard model came with a V4 and a 4 speed transmission. That’s not a Corvette! That’s a Cavalier with a Corvette body kit! Same situation as these “Standards”.