I opened this thread here because I felt posting it in the Gibson Les Pauls section would be an invitation to get flamed.
But seriously, it seems like other manufacturers of Les Pauls - Tokai, Burny, Greco, and to a point, even Epiphone - just have (or had) a better grasp on how the Les Paul should be built and sold. They don't mess around with collector-oriented oddballs and for the most part, keep their quality standards high. They also don't add on features most people don't want like automatic tuners. (Epi now has a guitar with Mini E-tune though)
They also seem more populist about who plays them, keeping there prices under 1000 USD. With Gibson, on the other hand, their philosphy is if you want the best, buy a 5 grand Historic from the Custom Shop. 700 bucks will buy you a Love Rock from Tokai with binding and if you want it, a Gold Top finish. From Gibson, 700 will get you an LPJ with a rubbed satin finish, no binding, and no Gold Top. Even the Standards this year can't be had with a Gold Top. What gives?
I sometimes think the world would be better off if Gibson had some huge loss befall them and be forced to license out or sell the Les Paul design to another maker, but I know that would cause a lot of people to lose their income and Henry J would just retire and somehow keep the rights to the open book headstock for himself or his estate. Worse, the cost of used Gibson Les Pauls would probably skyrocket since they'll be a "rarity" someday.
Am I the only one who feels this way?
But seriously, it seems like other manufacturers of Les Pauls - Tokai, Burny, Greco, and to a point, even Epiphone - just have (or had) a better grasp on how the Les Paul should be built and sold. They don't mess around with collector-oriented oddballs and for the most part, keep their quality standards high. They also don't add on features most people don't want like automatic tuners. (Epi now has a guitar with Mini E-tune though)
They also seem more populist about who plays them, keeping there prices under 1000 USD. With Gibson, on the other hand, their philosphy is if you want the best, buy a 5 grand Historic from the Custom Shop. 700 bucks will buy you a Love Rock from Tokai with binding and if you want it, a Gold Top finish. From Gibson, 700 will get you an LPJ with a rubbed satin finish, no binding, and no Gold Top. Even the Standards this year can't be had with a Gold Top. What gives?
I sometimes think the world would be better off if Gibson had some huge loss befall them and be forced to license out or sell the Les Paul design to another maker, but I know that would cause a lot of people to lose their income and Henry J would just retire and somehow keep the rights to the open book headstock for himself or his estate. Worse, the cost of used Gibson Les Pauls would probably skyrocket since they'll be a "rarity" someday.
Am I the only one who feels this way?