cmjohnson
Senior Member
- Joined
- Dec 12, 2012
- Messages
- 3,519
- Reaction score
- 3,376
One thing I do is make high quality reproduction front and back panels for Marshall amps made in the 60s and 70s, and I've been making many variants of metalface panels (late '69 and newer) for a while now, and they've sold well enough that I keep doing it.
But now I'm branching out into replica Plexi panels, and I'm not looking to get it CLOSE to correct, I'm looking to make them as exact and authentic as is humanly possible.
Recently I've found proof that at least in the earlier years, the gold paint used on them is bronze powder, as it turns green on some examples, particularly around edges and any damage spots, and starts to darken with age on most others.
So, I'm going to have to start exploring painting with bronze powder based paints.
I'll be using a very fine grained bright gold powder to start, as I think it's closest to the original type used.
If you've painted with bronze powder and mixed your own paint, adding powder to a binder or clear paint formulation, etc, please tell me what you used and how the results went.
I'm pretty sure that Marshall didn't use bronze powder based paint on ALL the plexi panels. At some point they changed to a lower cost metallic paint.
I have a good analog gold paint formulation already, not using bronze powder, but for the highest authenticity level for the most valuable vintage amp restorations, I'm going in all the way.
I don't see any reason to do this half-arsed. I aim to make the best product I possibly can. Why bother otherwise? There are already other sources for less authentic, less correct panels on the market.
I don't intend to compete with them, I intend to totally outclass them.
Here are some examples of early plexi type reissues I'm making. Some of these still have issues that require revision and remakes before I release them for sale. I'll scrap a whole batch if it turns out there's a significant error that a Marshall restoration specialist would catch. It's either right or it's not.
But now I'm branching out into replica Plexi panels, and I'm not looking to get it CLOSE to correct, I'm looking to make them as exact and authentic as is humanly possible.
Recently I've found proof that at least in the earlier years, the gold paint used on them is bronze powder, as it turns green on some examples, particularly around edges and any damage spots, and starts to darken with age on most others.
So, I'm going to have to start exploring painting with bronze powder based paints.
I'll be using a very fine grained bright gold powder to start, as I think it's closest to the original type used.
If you've painted with bronze powder and mixed your own paint, adding powder to a binder or clear paint formulation, etc, please tell me what you used and how the results went.
I'm pretty sure that Marshall didn't use bronze powder based paint on ALL the plexi panels. At some point they changed to a lower cost metallic paint.
I have a good analog gold paint formulation already, not using bronze powder, but for the highest authenticity level for the most valuable vintage amp restorations, I'm going in all the way.
I don't see any reason to do this half-arsed. I aim to make the best product I possibly can. Why bother otherwise? There are already other sources for less authentic, less correct panels on the market.
I don't intend to compete with them, I intend to totally outclass them.
Here are some examples of early plexi type reissues I'm making. Some of these still have issues that require revision and remakes before I release them for sale. I'll scrap a whole batch if it turns out there's a significant error that a Marshall restoration specialist would catch. It's either right or it's not.