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Lol, and that has nothing to do with which guitars are good or bad.The real question is, in which years did gibson take most care of their wood storage.
Do you know people grow trees? Not only corn and barley? Pine trees and maple, mahogany, anything that gives money, if you put all the care it needs it will grow better.So we're making wood grow more quickly...
Is this the solution to the deforestation of the Rain Forest?
Is Monsanto involved?
Not widespread at all, I actually read that from Jerry Auerswald, back in the late 80s he used absolutely the best wood available in the world. His guitars were $20k at the time and his customer people like Prince. It is an exaggeration, but it made him a name.Where did you read this? And how widespread was this practice?
There is a guy in the forum who worked at Gibson in the 70s, he explained the kind of wood used in the early/mid 70's. This was wildwood, old growth, wood you cannot get today, it doesn't exist. They used that until it was finished, the reason for the pancake body was to use this wood as long as they could because they could not get it any longer. It was not going to be available anymore.Yes, someone certainly is misinformed.
im afraid they might affect my tone...There are pills that can help with that. Or so I've heard.
No, nature grows trees.Do you know people grow trees?
Not only corn and barley?
Trees give money? Where the hell are these magical money trees????Pine trees and maple, mahogany, anything that gives money
Forestry is about getting more wood, earlier and easier than what you would get in the wild you know?
And also to have all the trees altogether in the same place, unlike in the wild.
It grows quicker but the quality is lower.
And yes, they use specific genetics not whatever the wind blows.
Yes it is but the irony of this statement is completely lost on you.Incredible I am explaining this...
I actually read that from Jerry Auerswald, back in the late 80s he used absolutely the best wood available in the world.
His guitars were $20k at the time
So?and his customer people like Prince.
Huh?It is an exaggeration, but it made him a name.
Probably the woods used by Gibson in the 50's were air dried no less than 25 years.
Based on your comments thus far you should be careful about using the term 'knowledge'.To my knowledge the more a wood is air dried the better (more stable is the wood), some luthiers are more extreme than others.
There is a guy in the forum who worked at Gibson in the 70s, he explained the kind of wood used in the early/mid 70's. This was wildwood, old growth, wood you cannot get today, it doesn't exist.
Woods in the early/mid 70s Gibson are amazing, to me that is a fact, I know the Norlins well.
This is the truth. I have heard to many Les Pauls from every decade that sounded just as good as any 50s guitar.Dude, you can make two Les Paul's out of the same two trees and have one that is a real cannon and one that is a dog. There is no "good wood years", there's big sounding guitars, dead sounding guitars and everything in between.
I wrote a short reply to this but then I saw the guy has got banned.No, nature grows trees...etc
Doesn't matter how much you spend on wood, there is NO predictor of good tone......fullstop.officially the "good wood years" are 1993-1995 where gibson spend ridiculous amounts of money to get good wood for it´s new founded custom shop.
No, it's magic which is responsible for quality wood.Lol, and that has nothing to do with which guitars are good or bad.
You mean unplugged or amplified?No, it's magic which is responsible for quality wood.
Magic kilns, luthiers which went to Hogwarts etc.
Dry too fast and it splits, cracks and checks.
Dry too slow and it will warp, stain and dry unevenly.
Storage can give the same negative effects if not done properly.
But I would like to hear your explanation though.... what makes good tonewood?
P.S. (I'm in the camp of :"Tonewood has nothing to do with tone, but with stability, looks and ease of work" (pretty lonely here b.t.w.)