SpinWheelz
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In the past 12 months, I'd picked up two Gibson Les Paul Studios: one a Vintage Mahogany, and the other a rather run-of-the-mill Alpine White. Each of these came with a PCB in the control cavity:
I have since removed the PCB in both my Studios and have upgraded them with RS pots and a variety of PIO caps. If the immediate benefits of RS pots and PIO caps aren't immediately apparent, then consider the pot values I took of the PCB:
PCB 1:
Neck volume: 287K
Neck tone: 447K
Bridge volume: 311K
Bridge tone: 423K
PCB 2:
Neck volume: 322K
Neck tone: 502K
Bridge volume: 349K
Bridge tone: 418K
Most of us would agree that when you're armed with two humbuckers, you typically want 500K pots all around. You'll see from the numbers above that only one comes close 500K. Consider the range in the rest of the pots. PCB of not, the Gibson pots would appear to be "choking" the life from your pickups' potential, no?
That's why I thought I'd try and work out a wiring schematic for re-wiring the PCB. The biggest trick was trying to figure out what wire did what, so I've tried to color-code them almost exactly according to what you'd find in the control cavity.
Please note green does not to green, going into the jack. Green goes to black, and black goes to green. Also, please note the added ground wire going from the ground lug in the jack to the back of a pot - without this, you'll get a massive humming noise no matter what. The black wire from the toggle switch going to back of the bridge volume pot us actually the bare wire with a bit of black heatshrink around it.
Also, I've drawn this up using '50s wiring.
Not sure if this'll be useful to anyone, but I'm such a believer in removing the PCB and upgrading the pots and caps, I felt compelled to share. Please ignore the attached thumbnail at the bottom of this post - I'd inadvertantly attached the wrong file to my initial post.

I have since removed the PCB in both my Studios and have upgraded them with RS pots and a variety of PIO caps. If the immediate benefits of RS pots and PIO caps aren't immediately apparent, then consider the pot values I took of the PCB:
PCB 1:
Neck volume: 287K
Neck tone: 447K
Bridge volume: 311K
Bridge tone: 423K
PCB 2:
Neck volume: 322K
Neck tone: 502K
Bridge volume: 349K
Bridge tone: 418K
Most of us would agree that when you're armed with two humbuckers, you typically want 500K pots all around. You'll see from the numbers above that only one comes close 500K. Consider the range in the rest of the pots. PCB of not, the Gibson pots would appear to be "choking" the life from your pickups' potential, no?
That's why I thought I'd try and work out a wiring schematic for re-wiring the PCB. The biggest trick was trying to figure out what wire did what, so I've tried to color-code them almost exactly according to what you'd find in the control cavity.
Please note green does not to green, going into the jack. Green goes to black, and black goes to green. Also, please note the added ground wire going from the ground lug in the jack to the back of a pot - without this, you'll get a massive humming noise no matter what. The black wire from the toggle switch going to back of the bridge volume pot us actually the bare wire with a bit of black heatshrink around it.
Also, I've drawn this up using '50s wiring.
Not sure if this'll be useful to anyone, but I'm such a believer in removing the PCB and upgrading the pots and caps, I felt compelled to share. Please ignore the attached thumbnail at the bottom of this post - I'd inadvertantly attached the wrong file to my initial post.