bionicmark
Senior Member
- Joined
- Jun 29, 2009
- Messages
- 169
- Reaction score
- 9
Let's discuss the tone of the average LPC in the last 15 years.
Do you gentlemen notice that due to the ebony fretboards , mahogany back
& maple top , LPC's always seem to be inadvertently brighter than say a Gibson LP Standard. My last three customs all seem to have this undialable brightness to them. No matter what pick up I have in the bridge or values I use in the wiring for the volume & tone controls. I'm literally at my wits end & may just switch back to owning Standards. I use Ernieball Slinky 10's , play through a 100 watt Carol Ann Triptik (2013 model with the latest five button foot switch) All TAD pre amp & power tubes, Bogner standard size horizontal 2x12 w/ EV 12L's.
The other amp I use is a Peavey 6505 w/ a bias mod & choke. My LPC has a Manlius hand wound Asphalt pup - and no matter what I do , especially w/ the 6505, I'm always hearing this very bright overtone or frequency - very accented on the treble side. It's a little less subtle w/ the Carol Ann. I have to set my mids, treble , & presence all around 10:30 or less & turn up the bass.
Am I going nuts or are LPC's naturally "bright"?
I've a had a 2006, 2008, & currently a 2012 LPC.
Any help, suggestions or feedback would be greatly appreciated.
Thanks!
Mark
Do you gentlemen notice that due to the ebony fretboards , mahogany back
& maple top , LPC's always seem to be inadvertently brighter than say a Gibson LP Standard. My last three customs all seem to have this undialable brightness to them. No matter what pick up I have in the bridge or values I use in the wiring for the volume & tone controls. I'm literally at my wits end & may just switch back to owning Standards. I use Ernieball Slinky 10's , play through a 100 watt Carol Ann Triptik (2013 model with the latest five button foot switch) All TAD pre amp & power tubes, Bogner standard size horizontal 2x12 w/ EV 12L's.
The other amp I use is a Peavey 6505 w/ a bias mod & choke. My LPC has a Manlius hand wound Asphalt pup - and no matter what I do , especially w/ the 6505, I'm always hearing this very bright overtone or frequency - very accented on the treble side. It's a little less subtle w/ the Carol Ann. I have to set my mids, treble , & presence all around 10:30 or less & turn up the bass.
Am I going nuts or are LPC's naturally "bright"?
I've a had a 2006, 2008, & currently a 2012 LPC.
Any help, suggestions or feedback would be greatly appreciated.
Thanks!
Mark