A preamp isn't going to help you when your mic choice is an SM57, which is a unidirectional mic. An SM57 is great for picking up a single source situated in front of its capsule. What you need is an omnidirectional mic and even then you will primarily pick up the source it's placed closest to.
Thanks.
Kølabrennern;2377624 said:
Now why in the world would you want to record both the backing track and the amp at the same time?
Sorry for the noob question. This is just how I've been doing it. When I play a cover for myself or anyone else live, that's how it's done. I start a track and play over it with the volume of my guitar raised high enough to hear over the backing track. I just wanted to record it that way...so that watching the cover is the same as if you were in the room. I know that the end result won't be as polished as some of the covers out there...but I really don't like the "line in" or "direct" sound. It sounds a bit too mixed, fake, studio, etc. for my taste. I like more of a raw, straight, no fooling around sound to my covers...this is me playing and nothing fancy. Hope this makes sense to somebody besides me

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xXxGhotimanxXx, what you need to do is isolate the amp. You've already got the backing track recorded...no need to record it again. Listen to the backing track with headphones while you are recording the guitar and then mix the two afterwards.
I've tried playing with headphones on before, but I always do poorly because I can't hear myself play. It's like trying to talk when you're deaf...you need to hear what your saying. How do people do it? Can you hear yourself in headphones as well as the backing track? My USB adapter does have an input for headphones...that would allow me to hear myself, but not the music...another problem. Again, sorry if I sound like an idiot...but these are the issues I've been having and see no reason to sugar cote it, I'm not that proud

. Another thing, if I were to do it this way, what do you use to mix the two?
J