Zoshquin
Senior Member
- Joined
- Nov 22, 2008
- Messages
- 2,796
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Ha, thanks I have no idea where I found it, but I knew as soon as I had found it that it was going to be my avatar.
Brian May uses a sixpence...
I've settled on a Dunlop Nylon .46. They make so much noise that when I took only my little Greta with no extension cab to rehearsal yesterday, the pick sound was as loud as what was coming out of the amp when playing clean (a Greta with no cab has no headroom). But they're "me".Yeah, what puts me off is that the edge gets real grabby under my strumming if it's serrated, and with my picking, a smooth edge ends up sounding very "brushy" as it slodes over the string.
A standard pick shape in Tortex or Ultex gives me an ideal middle ground.
I've settled on a Dunlop Nylon .46. They make so much noise that when I took only my little Greta with no extension cab to rehearsal yesterday, the pick sound was as loud as what was coming out of the amp when playing clean (a Greta with no cab has no headroom). But they're "me".
I'll use any coin if I don't have my pick handy.
The verdict on my end, lo these many years later, is that I can't hold onto them using the strumming technique I've developed. And when you let go of a big metal pick while doing one of those strum-as-fast-and-hard-as-you-can endings, you might put somebody's eye out.
Indeed. Hell, I've use matchbook covers in a pinch. Very interesting tone, really - almost like an old felt xylophone pick.Bread tags work well in place of light picks, just need to cut/ bite off the sharp/ pointy bits