Sam Spade
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- Feb 3, 2013
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Not sure if this is the correct sub-forum, but here goes. And please pardon the length of this posting. I figured it was better to get all my pickup problems into a single posting instead of dividing them up.
I have a Brownsville clone of an ES-335. (Okay, it ain't a Gibson, but I'm still learning how to play, and I gotta start somewhere.) I have no-name pickups. Neck pickup measures 8.4K ohms and bridge pickup measures 13.6K ohms. Both pickups have the standard nickel/chrome (whatever) covers. I like the tones, but...
This whole project started for two reasons: (1) I couldn't figure out why, when my pickup switch was in middle position, I could turn guitar volume completely off just by turning down either pickup volume control; (2) I wanted to stave off a case of Guitar Acquisition Syndrome after playing with a telecaster at Guitar Center.
Problem #1 resolves by rewiring the controls from "1950s wiring" (as my guitar was originally wired) to "modern wiring" (giving me completely independent volume controls). Problem #2 resolves by coil tapping; my pickups are originally wired as insulated single conductor with a shield all wrapped inside another insulation layer, so I need to tear apart the pickups to change over to 4-conductor wiring with an outer braided shield.
I did a few stupid things with this job.
With the neck pup, I kept trying to break the solder joints on the back of the pickup to the cover with ever more powerful soldering irons and soldering guns. I did a good job melting the wax potting out of the pickup. (At least I had the good sense to put down a piece of cardboard atop the kitchen table before I started.) Realizing I now needed to re-pot the pickup at the end of the job, I took the pickup completely apart. I accidentally dropped the magnet from the table to the wood floor, and it did NOT break.
With the bridge pickup, I decided to clear the wax potting so I could access the wires by heating it in water using a double boiler. And after I did this, I realized I now had a pickup soggy with water. When I got to the magnet, I lifted up one end and the magnet broke. Well, either I broke it or it was already broken. I don't see how lifting an unpotted magnet off the back of the coils should cause the magnet to break, especially when dropping the other magnet to the floor caused no harm.
Here are the problems I now face, together with some solutions.
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1. A waterlogged pickup: My solution is to use the dehumidifiers for my father's hearing aids. These little packs of gel crystals are heated in the oven at 350 degrees F for a good while until the crystals turn pink, and then they are placed into an appropriate container. I will use a glass jelly jar. I will place a piece of dry cloth over the gel packs and then place the water-logged coils on top, then seal the jar. I expect to do this repeatedly over the next couple of days.
Anybody have an opinion about this?
2. A broken magnet: I can correctly align the broken magnet parts, and hold them in position, using the unbroken magnet. I will use the long edges of the magnets. I will lay the whole thing on a perfectly flat surface and use a bit of JBWeld to join the two broken magnet parts. The unbroken magnet will hold the broken magnets in the correct position while the JBWeld dries. I can use a razor blade or an Exacto knife, perfects even a small piece of sandpaper, to remove excess JBWeld after the joint dries. This should not have any effect on the cumulative magnetism of the once-broken soon-to-be fixed magnet.
Anybody have an opinion about this repair?
3. Correct magnet polarity directions: I don't think it matters at all which side is north and which side is south so long as the same poles of each magnet are placed against the polepiece screws. So, I turn the magnets so that they repel each other, and the repelling edge of each magnet will go against the polepiece screws. I also don't think it matters whatsoever whether the magnets are placed upside down relative to each other because magnetism is uniaxial, meaning in one direction only; the north pole is still way up north whether you're in California or on the other side of the world in Uzbekistan. I mention this because some folks think otherwise, that flipping a magnet upside down somehow changes the phase. Based on my own academic experience of electromagnetism, I'd say that cannot be true.
Anybody have an opinion about this?
4. What the heck are my magnets? Ceramic or alnico? They are black and very smooth. As this is a cheapo guitar, I assume they are ceramic.
5. Should I even bother fixing my broken magnet, or should I use this as an opportunity to change the sound, maybe even improve it, by procuring either Alnico 2 or Alnico 5 magnets? I will probably never be more than a rhythm player, but I like the sound of Chuck Berry's Gibson semi-hollow (whatever model he used in the 1950s) and B.B. King's Lucille (which I heard live in 1977 and still remember), an ES-355 with 490R Alnico magnet humbucker and 490T Alnico magnet humbucker. Gibson says the 490R and 490T both use Alnico 2 magnets. <Modern Classics> StewMac, on the other hand, suggests using Alnico 2 for the bridge pickup and Alnico 5 for the neck pickup. <STEWMAC.COM : Alnico Bar Magnet>
So, what should I do: Stick to my cheapo magnets of unknown composition (but I'll assume them to be ceramic), switch to Alnico 2, switch to Alnico 5, or switch to a combination of Alinico 2 and Alnico 5?
-------------------------------------------------------------------
Thanks ahead of time to whoever reads this long posting, let alone responds to it.
I have a Brownsville clone of an ES-335. (Okay, it ain't a Gibson, but I'm still learning how to play, and I gotta start somewhere.) I have no-name pickups. Neck pickup measures 8.4K ohms and bridge pickup measures 13.6K ohms. Both pickups have the standard nickel/chrome (whatever) covers. I like the tones, but...
This whole project started for two reasons: (1) I couldn't figure out why, when my pickup switch was in middle position, I could turn guitar volume completely off just by turning down either pickup volume control; (2) I wanted to stave off a case of Guitar Acquisition Syndrome after playing with a telecaster at Guitar Center.
Problem #1 resolves by rewiring the controls from "1950s wiring" (as my guitar was originally wired) to "modern wiring" (giving me completely independent volume controls). Problem #2 resolves by coil tapping; my pickups are originally wired as insulated single conductor with a shield all wrapped inside another insulation layer, so I need to tear apart the pickups to change over to 4-conductor wiring with an outer braided shield.
I did a few stupid things with this job.
With the neck pup, I kept trying to break the solder joints on the back of the pickup to the cover with ever more powerful soldering irons and soldering guns. I did a good job melting the wax potting out of the pickup. (At least I had the good sense to put down a piece of cardboard atop the kitchen table before I started.) Realizing I now needed to re-pot the pickup at the end of the job, I took the pickup completely apart. I accidentally dropped the magnet from the table to the wood floor, and it did NOT break.
With the bridge pickup, I decided to clear the wax potting so I could access the wires by heating it in water using a double boiler. And after I did this, I realized I now had a pickup soggy with water. When I got to the magnet, I lifted up one end and the magnet broke. Well, either I broke it or it was already broken. I don't see how lifting an unpotted magnet off the back of the coils should cause the magnet to break, especially when dropping the other magnet to the floor caused no harm.
Here are the problems I now face, together with some solutions.
-------------------------------------------------------------------
1. A waterlogged pickup: My solution is to use the dehumidifiers for my father's hearing aids. These little packs of gel crystals are heated in the oven at 350 degrees F for a good while until the crystals turn pink, and then they are placed into an appropriate container. I will use a glass jelly jar. I will place a piece of dry cloth over the gel packs and then place the water-logged coils on top, then seal the jar. I expect to do this repeatedly over the next couple of days.
Anybody have an opinion about this?
2. A broken magnet: I can correctly align the broken magnet parts, and hold them in position, using the unbroken magnet. I will use the long edges of the magnets. I will lay the whole thing on a perfectly flat surface and use a bit of JBWeld to join the two broken magnet parts. The unbroken magnet will hold the broken magnets in the correct position while the JBWeld dries. I can use a razor blade or an Exacto knife, perfects even a small piece of sandpaper, to remove excess JBWeld after the joint dries. This should not have any effect on the cumulative magnetism of the once-broken soon-to-be fixed magnet.
Anybody have an opinion about this repair?
3. Correct magnet polarity directions: I don't think it matters at all which side is north and which side is south so long as the same poles of each magnet are placed against the polepiece screws. So, I turn the magnets so that they repel each other, and the repelling edge of each magnet will go against the polepiece screws. I also don't think it matters whatsoever whether the magnets are placed upside down relative to each other because magnetism is uniaxial, meaning in one direction only; the north pole is still way up north whether you're in California or on the other side of the world in Uzbekistan. I mention this because some folks think otherwise, that flipping a magnet upside down somehow changes the phase. Based on my own academic experience of electromagnetism, I'd say that cannot be true.
Anybody have an opinion about this?
4. What the heck are my magnets? Ceramic or alnico? They are black and very smooth. As this is a cheapo guitar, I assume they are ceramic.
5. Should I even bother fixing my broken magnet, or should I use this as an opportunity to change the sound, maybe even improve it, by procuring either Alnico 2 or Alnico 5 magnets? I will probably never be more than a rhythm player, but I like the sound of Chuck Berry's Gibson semi-hollow (whatever model he used in the 1950s) and B.B. King's Lucille (which I heard live in 1977 and still remember), an ES-355 with 490R Alnico magnet humbucker and 490T Alnico magnet humbucker. Gibson says the 490R and 490T both use Alnico 2 magnets. <Modern Classics> StewMac, on the other hand, suggests using Alnico 2 for the bridge pickup and Alnico 5 for the neck pickup. <STEWMAC.COM : Alnico Bar Magnet>
So, what should I do: Stick to my cheapo magnets of unknown composition (but I'll assume them to be ceramic), switch to Alnico 2, switch to Alnico 5, or switch to a combination of Alinico 2 and Alnico 5?
-------------------------------------------------------------------
Thanks ahead of time to whoever reads this long posting, let alone responds to it.