rockstar232007
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That's bc it is.im no expert on bursts but that whole ad just screams sketchy...
That's bc it is.im no expert on bursts but that whole ad just screams sketchy...
Joe Bonnamassa or one of the members of the elitist back slapping vintage club rock star good ol boys would of beat you to it long time ago
If the price of that guitar ever matches what I'd be willing to pay, I'd love to show it to a few people to confirm its likely origins and history.
If it was real. Joe Bonnamassa or one of the members of the elitist back slapping vintage club rock star good ol boys would of beat you to it long time ago, and it would be in a case somewhere stacked up like cord wood with another 3 or 4 dozen.
It's only slightly less distasteful than millionaire businessmen buying up 58 and 59 LPs as investments to store in a vault
That shit pisses me off too. I remember watching a video of Bonamassa talking about acquiring some of his insane "MINE, ALL MINE! collection and off handedly going into how he bought like 3 or 4 vintage Gibsons in one day. Like some random person goes antiquing. Yeah, this one was 14 thousand, then I just bought this one on the way out the door, it was 18 thousand then I went to some guys garage and he had 2 vintage Gibsons so I bought them too. OK, sure. He has the money and he can do what he wants with it, but it's just hoarding at that point. There's no curation or special connection to most of the stuff he has. It's just vintage gear and he's buying it up. It's only slightly less distasteful than millionaire businessmen buying up 58 and 59 LPs as investments to store in a vault beside their art, jewellery and car collections. To be sold on when the prices saturate after they created the scarcity in the first place. Anyways, rant over.
That shit pisses me off too. I remember watching a video of Bonamassa talking about acquiring some of his insane "MINE, ALL MINE! collection and off handedly going into how he bought like 3 or 4 vintage Gibsons in one day. Like some random person goes antiquing. Yeah, this one was 14 thousand, then I just bought this one on the way out the door, it was 18 thousand then I went to some guys garage and he had 2 vintage Gibsons so I bought them too. OK, sure. He has the money and he can do what he wants with it, but it's just hoarding at that point. There's no curation or special connection to most of the stuff he has. It's just vintage gear and he's buying it up. It's only slightly less distasteful than millionaire businessmen buying up 58 and 59 LPs as investments to store in a vault beside their art, jewellery and car collections. To be sold on when the prices saturate after they created the scarcity in the first place. Anyways, rant over.
So who is worse, the billionaire businessman guitar buyer or the guitar businessman pitching guitars as "prime investments?"
Which I pointed out in my commentPeople buy what they like or always wanted, not as a vendetta to deprive poor starving artists of instruments or to corner the market. Guitars are a poor investment when compared to other investment opportunities available. Eventually most people will lose money as we saw during the market correction in 2008.
If they now can afford to buy what they like and always wanted who are you to criticize? If you had the spare money you would absolutely do the same.
They also give them lame names, every single one.
I stopped following him and "the other" LP Forum dude. When they post their "turds" and endless stories of "Lazarus", it's done with such an air of "look at how cool/rich we are", it takes the fun out of it all...
BWAHAHAHAHA.....PRICELESS!!!!!!....it is more enema than enigma. It can only be an enigma to someone who knows nothing about vintage Les Paul's.
I would agree - I think a guitar like this could have been interesting in the same vein that the Kris Derrig LP is interesting. Unfortunately, this one doesn't have the same story to tell to make it as interesting as the Derrig guitar because of who played it.I have a slightly different take. I think it's a genuinely interesting guitar, and while I am 99-100% confident it's creation had very little to do with any Gibson factory, the guitar's true back story is probably a really colourful one. Fakery tends to be as much in the way something is sold as anything to do with the item or artefact in itself. I personally think "Waldstein" is quite possibly a relatively early example of something that went on to become maybe not commonplace, but clearly a few people have since made "good copies" of the 1959 Les Paul Standard. The price is a little way north of what I'd be willing to pay to have a good look inside and out (and it may well be a great sounding and playing guitar, which has to be worth something).
If the price of that guitar ever matches what I'd be willing to pay, I'd love to show it to a few people to confirm its likely origins and history. I am pretty sure it will have been from this side of the Atlantic, and while some of the detail is a little crude compared to later copies/fakes, it's a nice little tributary of rock history. Its occasional foray onto internet forums like this one just add to the general amusement - I do remember in 2010 that the "wrong way round" control cavity made me chuckle. I would part with real money if it plays well, but it's just not worth $30,000 to me.
Liam