Of the many particular options that Florian proposed to me.
He told me that the longs studs for the tailpiece were the one were the most important tonewise.
The rest were more cosmethic.
So I went for that one.
The rest I can live without, but I can understand that correct vintage esthetic matters to some..
It's just that I am more focused on the effects and feel of vintage specs.
Is the end of the tenon not straight? Am sure the neck is in perfectly but it seems the tenon itself is longer on one side (bottom in this pic) than the other (top)
I see what you mean.
I think it is not straight indeed.
In one of the previous where you see the neck out of the guitar,
with all the glue, you can see that one side is a bit longer than the other..
Old bushings removed, and correct length new ones installed.
According to Florian, these are the best sounding and most authentic bushings.
They are made by hand by another gifted German guy, named Hauke Friese..
They do look great indeed;-)
I eventually made the decision to move the Headstock Gibson logo.
Florian has just started to work on that, by "carefully removing the black rubberish filler around the Gibson logo"
It looks like the finish process is being prepared now.
Florian is sanding the guitar.
With little details like keeping or not the pickguard holes.
I am not using one at the moment but I might add a black one later on.
So the holes will stay;-)
It appears that some of my earlier damages and scratches on the guitar,
as sanding won't erase them..
I don't want the guitar to be aged after the finish process.
I want to age it myself while playing.
Florian and I joked about these being the first of my personal aging marks on the new guitar to be;-)