is this a 1956 Lester?

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Dolebludger

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To get additional intonation space on the bridge, a Gotoh bridge could be installed — probably a drop in job. I don’t think authenticity is important on this guitar.
 

jaik

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To get additional intonation space on the bridge, a Gotoh bridge could be installed — probably a drop in job. I don’t think authenticity is important on this guitar.
If this is a 1956 ABR Les Paul as all here seem to agree, why would an ABR not intonate ?
 

jaik

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All it needs is a custom made pickguard to hide the Bridge pickup placement, maybe a better finish and whatever 50s replacement parts it is otherwise missing. It is still a 50s ABR LP. No collector grade but a great player and worth a decent amount of money in todays market
that’s what I’m sayin
It sounds great as is but I may look for pots and pickups and a bridge at least
 

LPTDMSV

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If this is a 1956 ABR Les Paul as all here seem to agree, why would an ABR not intonate ?

Could be several reasons - I don’t know about ‘56 but at various other times Gibson haven’t been great at putting bridges in the right position!

Or it could have been adjusted by someone who squeezed down hard on the fretted note when trying to do the intonation, that can throw the adjustment way out … lots of possibilities.

Personally I wouldn’t worry about it. Fit a nice replica ABR and re-do the setup from scratch. Worst case scenario is you have to drill new post holes and plug the old ones, no big deal compared to routing for humbuckers!
 

eric ernest

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I see no reason to leave the bridge where it is. They were placed where they were because of the very heavy strings that were used at the time. Repositioning a bridge may be heresy to some, but I welcome it.

Years from no one will care.....except for museum curators.
 
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pinefd

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All it needs is a custom made pickguard to hide the Bridge pickup placement, maybe a better finish and whatever 50s replacement parts it is otherwise missing. It is still a 50s ABR LP. No collector grade but a great player and worth a decent amount of money in todays market
Hey, Jimmi, do us a favor and show us some token pics of your abominations. Just because we're gluttons for punishment. :naughty:


Frank
 

DelawareGold

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Hey, Jimmi, do us a favor and show us some token pics of your abominations. Just because we're gluttons for punishment. :naughty:

Frank
Now Frank, you know better than to ask a guy from Nashville
to show you his Lester's.
We'll be here all night!
:io:
 

Dolebludger

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Well, if it is a great player, it is worth a few hundred bucks. But not much more. This guitar will need some love.
 

Dolebludger

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Question, what is special about a 56 LP fretboard? Back in 1962 I had the chance to buy a real 1956 LP P 90 that was a real wreck for $60! So I am just wondering how big of a mistake I made.
 

jaik

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Question, what is special about a 56 LP fretboard? Back in 1962 I had the chance to buy a real 1956 LP P 90 that was a real wreck for $60! So I am just wondering how big of a mistake I made.
It’s aged Brazilian rosewood , an endangered species and OG inlays that are pretty hard to get so for someone who is into these things good luck finding one.
you can’t get the switch tip for $60 now. Hell people probably charge that for the control panel screws lol of course this one we’re discussing doesn’t have the OG switch tip and only 2 control panel screws left so :p lolz but I’m a full time player not a museum guy so it’s not of primary concern for my uses

A lot of things have happened between 1962 and now and who knows if you’d still have it if you had bought it. We’ve all got our near miss fishing stories over the years , I sure do.
 

LPTDMSV

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Question, what is special about a 56 LP fretboard? Back in 1962 I had the chance to buy a real 1956 LP P 90 that was a real wreck for $60! So I am just wondering how big of a mistake I made.

Don’t look back …

There’s probably not a person on this forum who hasn’t thought “I should have bought that” about some old beat-up guitar, when at the time all you could see were all the things that were wrong with it and how it ought to have been cheaper.

I bought an equally hacked-up ‘65 Melody Maker a couple of years ago at a “shop price”, not such a great investment but how often does an opportunity come up to buy a ‘65 Gibson, or a ‘56?

So glad I did.
 

Jimmi

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I would suggest the better move would be to put the pickup in the correct spot and patch it....why? Because if he doesn't do it the next guy will. LOL!
I think visible plugs shoo-ins be avoided at all costs. The pickup ring is barely out of alignment as is. With the right pickguard, most would not see it. To me that is a better result…also loses no more original wood.
 

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