Obviously it's absurd to pretend to really quantify the contributions of parts to tone, but when I restored my '58 (unfortunately when I got it it was not completely original), when I changed out the later stop bar for an original I found, the change in tone was spectacular, very much more...
Looks pretty good to me, all relative to the price of course. It's not pristine, price should reflect that. But if it plays good and the price is alright...
This is a pic of the inlays on my '58- it was actually sanded down (:mad2:) during a refret many years ago, sanding doesn't make them lighter (of course), if anything makes them darker as the rosewood can show through the more transparent portions of the plastic more.
Late 50's inlays often...
Dunno about the finish, I've never seen another like it myself. Could have been an early Gibson experiment, or custom order I suppose. It was a metallic-sparkley finish exactly like a gold top, only red. Not oversprayed, somehow with a fairly strong red tint in the sparkly stuff.
Had p-90's...