FAQ: Tenons

Discussion in 'Norlin Years' started by dwagar, Mar 26, 2009.

  1. elephantrider

    elephantrider Senior Member

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    short or trans tenon ?

    [​IMG]
     
  2. Progrocker111

    Progrocker111 Senior Member

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    Transitional, with some very botched work done there. :hmm:
     
  3. elephantrider

    elephantrider Senior Member

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    it's a 2014 epi custom pro, so what do you expect :)
    thought it was a trans, but wanted to confirm. just did
    some upgrades to it.

    [​IMG]
     
  4. elephantrider

    elephantrider Senior Member

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    .....................
     
  5. deytookerjaabs

    deytookerjaabs Senior Member

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    Just add my 2 cents to the tenon argument that was brought up in the past a few times on this thread.


    The Les Paul has about the most neck/body contact of almost any traditional electric guitar. The most important "tone" aspect of the neck is where it becomes a solid, inflexible, mass which is the point where the neck no longer has any give to it. This happens way up on the 16'th fret of a Les Paul.

    On a, ahem, "transitional" tenon (or most other joint styles) you have about 15+ cubic inches of solid contact with the body. At that 16th fret the neck becomes as solid as the body. The sidewalls & base of the heel with any full contact glue joint really, in effect, become the body of the guitar.

    If you think a "long tenon" extra lip of 1 or 1.5 cubic inches at the far end of the heel makes a difference....PUT DOWN THE CRACK PIPE.

    Yes, the argument might be a little more gray if the neck connected at the 20'th fret with a thinner body but at the end of the day it's where the neck makes contact, how well the joint is cut/fit, and the thickness of the body that give that part of the guitar it's character stamp.

    But, alas, for the tenon lip coalition I submit object A:

    [​IMG]

    For, this Norlin of infinite sustain beyond the cosmos must be a force of universal reckoning.
     
    boola1 likes this.
  6. Kris Ford

    Kris Ford Senior Member

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    :applause:
    My '76 LP Deluxe has so much sustain that is ridiculous..maple neck, rocker tenon..

    I really believe that people get stuck in "only the old way is the good way" mentality.

    I defy anyone to be able to tell a short rocker tenon vs a long tenon on a recording.
     
  7. deytookerjaabs

    deytookerjaabs Senior Member

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    Yeah, the term "short" and "long" just jacks with people's conception. It's a tiny lip of literally no significance other than historical accuracy, no where else would you refer to such a small fraction as "short" versus "long," lol.

    I guarantee in a stress test of 100 Les Paul the lip won't make on iota of difference, the neck will be buckling at the heel or the wood will split at the areas outside the joint long before the joint itself becomes an issue.

    We can effect sustain more in how the saddles are cut, or the relief, or the break angle than we will with a big imagination!
     

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