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Old 11-06-2009, 04:35 PM   #1 (permalink)
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Why Doesn't America Do Vintage The Best?

I've often wondered why most of the best vintage related material doesn't come from America where most of the instruments reside? For example:

1) The best 'burst book comes from Japan (I don't know where the 'Burst Gang book was from?)
2) The best Fender Blackguard book comes from Spain (NOT France)
3) The best Loar mandolin construction plans come from Slovakia
4) The best 'burst plans soon to come from Sweden
5) Some of the best vintage LP clone parts comes from England & Japan
6) The best 'burst repro wood comes from Canada
7) One of the best Fender clone builders is from Israel

etc...etc...etc

Don't get me wrong. I'm glad that someone somewhere has done these things, but I'm just surprised that they weren't done in America where most of the instruments reside.

BTW: I've been posting vintage LP build questions in the Luthiers Forum and it almost seems that the experts don't want to share or maybe you just don't visit that neighborhood?

Last edited by gtrmaker; 11-07-2009 at 10:19 AM.
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Old 11-06-2009, 04:46 PM   #2 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

I wouldn't doubt if there were more enthusiasm for vintage British automobiles outside the UK as well. Same principle, I'm guessing.

I believe there are quite a few vintage experts around these parts who don't frequent the Luthier's forum.
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Old 11-06-2009, 06:47 PM   #3 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Yeah but here in Japan you have to search for good shops... most of the shops don't have any actual Gibson gear, just knockoff's. And while there is great repro parts from here good luck finding it in any of the shops, all I ever see is the pinkish plastic like on the historics.
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Old 11-06-2009, 06:54 PM   #4 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by gtrmaker View Post
I've often wondered why most of the best vintage related material doesn't come from America where most of the instruments reside? For example:

1) The best 'burst book comes from Japan (I don't know where the 'Burst Gang book was from?)
2) The best Fender Blackguard book comes from France
3) The best Loar mandolin construction plans come from Slovakia
4) The best 'burst plans soon to come from Sweden
5) Some of the best vintage LP clone parts comes from England & Japan
6) The best 'burst repro wood comes from Canada
7) One of the best Fender clone builders is from Israel

etc...etc...etc

Don't get me wrong. I'm glad that someone somewhere has done these things, but I'm just surprised that they weren't done in America where most of the instruments reside.

BTW: I've been posting vintage LP build questions in the Luthiers Forum and it almost seems that the experts don't want to share or maybe you just don't visit that neighborhood?
because unfortunately most people in america are buying rap cds and trying to "get crunk."
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Old 11-06-2009, 09:43 PM   #5 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by Atomic View Post
because unfortunately most people in america are buying rap cds and trying to "get crunk."
This
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Old 11-06-2009, 10:16 PM   #6 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

you arent looking hard enough.

at least we build the guitars.
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Old 11-06-2009, 10:41 PM   #7 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by FennRx View Post
you arent looking hard enough.

at least we build the guitars.

I agree with Fenn,
America does do vintage best, sure maybe other countries do better studies of OUR vintage equipment but who cares if Japan writes a book on AMERICAN made guitars

The question should be why doesnt America do better research on its vintage equipment.

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Old 11-07-2009, 03:51 AM   #8 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

and also Bandit, a good question is, with all of our technology why can they not just study as many Burst examples as possible and come out with perfect replica's?
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Old 11-07-2009, 07:42 AM   #9 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

I think Gibson is lazy for not making a better reissue. It's not that hard to do the correct tailpiece placement, is it? Gibson should order the fret inlays from the factory that used to make them, and build the pickups about the same as they used to in the 50's.

I guess it will have a not-so-nice pricetag, but at least they'd produce something that actually is VOS.
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Old 11-07-2009, 07:49 AM   #10 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

PM sent...

BTW...the USA has the best LP 'doppleganger' builders inthe business.

I'd put up one of Roman's guitars against anyone; in addition, if you haven't seen a guitar built by Mike DeTemple (google it) then you haven't seen perhaps the best Fender-style guitars on the planet.

BB
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Old 11-07-2009, 08:18 AM   #11 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by gtrmaker View Post
I've often wondered why most of the best vintage related material doesn't come from America where most of the instruments reside? For example:

1) The best 'burst book comes from Japan (I don't know where the 'Burst Gang book was from?)
2) The best Fender Blackguard book comes from France
3) The best Loar mandolin construction plans come from Slovakia
4) The best 'burst plans soon to come from Sweden
5) Some of the best vintage LP clone parts comes from England & Japan
6) The best 'burst repro wood comes from Canada
7) One of the best Fender clone builders is from Israel

etc...etc...etc

Don't get me wrong. I'm glad that someone somewhere has done these things, but I'm just surprised that they weren't done in America where most of the instruments reside.

BTW: I've been posting vintage LP build questions in the Luthiers Forum and it almost seems that the experts don't want to share or maybe you just don't visit that neighborhood?
Burst Gang is also from Japan.

I'm curious to know about this French Fender Blackguard book. Where do you get it and what is better about it than the one compiled by Nacho?
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Old 11-07-2009, 10:18 AM   #12 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

My bad Sarge. Nacho is the man and he's from Spain. Excellent book! We really need a 'Burst book done like that. I wish that Ganzler, CD, Tom W., Uncle Lou, etc. would do one.

Thanks for the correction. I have corrected my original post.
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Old 11-07-2009, 11:11 AM   #13 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by b-squared View Post
PM sent...

BTW...the USA has the best LP 'doppleganger' builders inthe business.

I'd put up one of Roman's guitars against anyone; in addition, if you haven't seen a guitar built by Mike DeTemple (google it) then you haven't seen perhaps the best Fender-style guitars on the planet.

BB
and two of the most renowned guys for conversions work in the US too.
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Old 11-07-2009, 02:04 PM   #14 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by b-squared View Post
PM sent...

BTW...the USA has the best LP 'doppleganger' builders inthe business.

I'd put up one of Roman's guitars against anyone; in addition, if you haven't seen a guitar built by Mike DeTemple (google it) then you haven't seen perhaps the best Fender-style guitars on the planet.

BB
PM received and objected to. I hope you're happy!

All talented people but your opinion's yours and judging by the wanton censorship you've shown me I refuse to comment further. This post was not ment to pit artist against artist.
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Old 11-07-2009, 04:23 PM   #15 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by b-squared View Post
I'd put up one of Roman's guitars against anyone; in addition, if you haven't seen a guitar built by Mike DeTemple (google it) then you haven't seen perhaps the best Fender-style guitars on the planet.

BB
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Old 11-07-2009, 04:25 PM   #16 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by gtrmaker View Post
My bad Sarge. Nacho is the man and he's from Spain. Excellent book! We really need a 'Burst book done like that. I wish that Ganzler, CD, Tom W., Uncle Lou, etc. would do one.
Why don't you do one? Really, I'm serious. You'd have to get some really good photo equipment and travel the world, but I'm sure (in fact I know) there are alot of nice guys out there with Bursts that would gladly talk with you for hours about their guitars, and for a quantity of the finished book, would let you photograph and doccument their guitars. Don't forget to include a CD of the guitars being played. You could always do a joint effort with several people in different parts of the world to help it happen faster
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Old 11-07-2009, 04:50 PM   #17 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

What is a doppleganger? And why on earth is it called that?
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Old 11-08-2009, 07:10 PM   #18 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

America built 'em, and the rest of the world wants them.
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Old 11-09-2009, 08:01 AM   #19 (permalink)
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Re: Why Doesn't America Do Vintage The Best?

Quote:
Originally Posted by Mprice
What is a doppleganger? And why on earth is it called that?
It means a double. It's from the German language, & I believe the literal translation would be "double-goer" or something like that.
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