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#1 (permalink) |
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Senior Member
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Class 5 Issues
Today, I brought home a Marshall Class 5 to give a trial run. It sounds great until I try to run effects (time delay) trough it. They sound muddy and distorted. 'Anyone else have this problem?
I'm giving serious thought to taking it back tomorrow.
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~Yardbird~ HAZARD SOUND PRESSURE LEVELS DANGEROUS TO THE EAR ARE PRESENT WHEN FOG SIGNAL IS IN OPERATION "03" Les Paul Standard - (ebony finish) "04" Les Paul R9 - (Top refinished to Brockkburst) "04" FENDER Standard Stratocaster (sage green - rosewood fretboard) AMPS "11" FENDER "65" Deluxe Reverb Reissue "12" MESA/Boogie Express 5:50 |
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#2 (permalink) |
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Senior Member
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Re: Class 5 Issues
It's fairly common for people to dislike the sound of time-based effects being run through the front-end of an overdriven amp. Delay, reverb etc.
These effects are usually better placed after the distortion creating stages of the amp. For a high gain preamp this is usually the effects loop which comes after the preamp, however your C5 creates it's distortion in the power section, so even if there was a loop you'd still be inserting the effects in the wrong place (before the distortion). Try dropping the level of the effect down, or don't use them at higher volume/gain levels. Alternatively you could use a relatively cheap attenuator set on minimal/no attenuation (like a weber minimass) that has a variable line out to provide a signal to run through your delay and then into the front of a clean second 'slave' amp.
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Paul Edwards. See my site for info on all of my amp builds including my supplier list and useful learning resources etc. Last edited by eddy999; 04-24-2012 at 09:51 AM. |
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#3 (permalink) |
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Re: Class 5 Issues
That explanation makes a lot of sense. Consider in your pedal chain, your time based effects are usually placed after your drives/distortion.
I don't think I ever considered using my delay with my C5. I really only use that amp for raw tube saturation. When I want delay, I go with one of my Fenders for more clean headroom. It's not something I was really conscious of until you asked this question. Try it at a lower volume (before it breaks up) just to see what it does. Turn it up until you find the point it stops sounding right. I doubt you will want to use the amp set that low but it might give you some insight. |
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#4 (permalink) |
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Re: Class 5 Issues
Well folks... I took the C5 back to the store today. I got my refund and invested in an MXR 10 band graphic EQ. I'm using it as a slight boost and to dial out some of the brittleness of the DRRI vibrato channel. I like a slightly fatter tone for solos.
I decided that it would be better for me to put together a pedal board so I ordered a PedalTrain jr. I also ordered a Zendrive. Here is what my setup will be: Tuner > Wah pedal > distortion > Chorus/Delay > EQ.
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~Yardbird~ HAZARD SOUND PRESSURE LEVELS DANGEROUS TO THE EAR ARE PRESENT WHEN FOG SIGNAL IS IN OPERATION "03" Les Paul Standard - (ebony finish) "04" Les Paul R9 - (Top refinished to Brockkburst) "04" FENDER Standard Stratocaster (sage green - rosewood fretboard) AMPS "11" FENDER "65" Deluxe Reverb Reissue "12" MESA/Boogie Express 5:50 |
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#6 (permalink) |
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Re: Class 5 Issues
Yeah, I own one and I'd have to agree. Still, I have one of those old Digitech delay/loop pedals, and was playing around with it and the Class 5. I pretty much never use pedals, and this one in particular has been gathering a lot of dust, but I was able to dial in a sweet slap-back sound. Yeah, it was muddy and dark, but sounded cool. Kind of "Truth"-era Jeff Beck-ish. But if you're looking for modern-rock, crystal-clean echo, yeah, an amp with an overdriven power amp isn't gonna cut it.
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'95 Epi LP Standard.'89 Am. Standard Strat with '62RI neck, Duncan Antiquities. '92 Tele '99 "70s" Strat. |
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