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Old 11-07-2008, 06:46 PM   #1
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Jimmy Page ... History of his Guitars !!!

Here's a great article with tons of history of lots of Jimmy's guitars !!!!! Enjoy !!!

UG Community @ Ultimate-Guitar.Com - CROTM: Jimmy Page (Detailed w/ many pics)

UG Community @ Ultimate-Guitar.Com - CROTM: Jimmy Page (Detailed w/ many pics)

UG Community @ Ultimate-Guitar.Com - CROTM: Jimmy Page (Detailed w/ many pics)

UG Community @ Ultimate-Guitar.Com - CROTM: Jimmy Page (Detailed w/ many pics)










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Old 11-07-2008, 07:33 PM   #2
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Re: Jimmy Page ... History of his Guitars !!!

Awesome!!!!!!!
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Old 11-07-2008, 08:34 PM   #3
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Re: Jimmy Page ... History of his Guitars !!!

Damn, that's a lot of work!

I just killed an hour reading the whole thing. Thanks for passing on the link.

- D
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Old 11-07-2008, 08:41 PM   #4
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Re: Jimmy Page ... History of his Guitars !!!

Wow!!!
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Old 11-07-2008, 08:46 PM   #5
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If you dig it ... Feel free to click the Thank You ... Thumb's up !!!



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Old 11-07-2008, 09:25 PM   #6
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Old 11-07-2008, 09:25 PM   #7
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Old 11-07-2008, 09:27 PM   #8
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Old 11-07-2008, 09:30 PM   #9
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Old 11-07-2008, 09:40 PM   #10
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Re: Jimmy Page ... History of his Guitars !!!

Good stuff, Bobbo, thanks!!
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Old 11-07-2008, 09:55 PM   #11
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Old 11-07-2008, 09:56 PM   #12
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Old 11-07-2008, 09:59 PM   #13
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Old 11-07-2008, 10:02 PM   #14
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Old 11-07-2008, 10:04 PM   #15
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Old 11-07-2008, 10:10 PM   #16
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Re: Jimmy Page ... History of his Guitars !!!

A great old Jimmy interview !!!! A must read for the Zep fan !!!!!

http://www.mylespaul.com/forums/cell...-way-cool.html

http://www.mylespaul.com/forums/cell...-way-cool.html

http://www.mylespaul.com/forums/cell...-way-cool.html
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Old 11-07-2008, 10:29 PM   #17
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Re: Jimmy Page ... History of his Guitars !!!

BOBBO...you're after my own true heart here...

You're really on a Jimmy kick tonight, buddy! And to that, me hat's off to ya!

Ain't it great the way he always strives to get something special? Like every second we're alive and stomping around is something special, makin' the most of every breathin' moment, as it were...no solo is like the one he played prior to this very moment in time....

...guess it's no secret, I really do love the way he plays a guitar.
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Old 11-07-2008, 11:31 PM   #18
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Re: Jimmy Page ... History of his Guitars !!!

So basically, what I've gathered from reading these articles, is that there is no way to capture Jimmy Pages tone.
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Old 11-08-2008, 03:47 AM   #19
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Re: Jimmy Page ... History of his Guitars !!!

Quote:
Originally Posted by Jupa View Post
So basically, what I've gathered from reading these articles, is that there is no way to capture Jimmy Pages tone.
Which one?

That was the case before you read the articles. Listen to the recordings: there are so many different guitar sounds on there that the project of capturing his tone - singular - is preposterous. Worse than that, most of his guitar sounds are layered, and not in the modern way where a horde of tracks with roughly the same tone are used to fatten up a sound. The guitar sounds he layered together usually occupied distinct and different parts of the audio spectrum.

There never was A Jimmy Page tone.

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Old 11-08-2008, 07:54 AM   #20
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Re: Jimmy Page ... History of his Guitars !!!

Outstanding. Thanks for the post Bobbo
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Old 11-08-2008, 12:08 PM   #21
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Re: Jimmy Page ... History of his Guitars !!!

Quote:
Originally Posted by Jupa View Post
So basically, what I've gathered from reading these articles, is that there is no way to capture Jimmy Pages tone.
I think one of the elements to " Jimmy " tone is using all 3 positions on your pickups !! Granted Jimmy used a Tele for a lot of stuff , But on most live DVD's I've seen where he's using his LP he makes ample use of the neck , bridge & both pups combined on a good number of his tunes !!!

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Outstanding. Thanks for the post Bobbo
Glad to share way cool stuff with others !!!
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Old 11-09-2008, 05:20 AM   #22
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Re: Jimmy Page ... History of his Guitars !!!

Quote:
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I think one of the elements to " Jimmy " tone is using all 3 positions on your pickups !! Granted Jimmy used a Tele for a lot of stuff , But on most live DVD's I've seen where he's using his LP he makes ample use of the neck , bridge & both pups combined on a good number of his tunes !!!



Glad to share way cool stuff with others !!!
Spot on Bobbo. I've also noticed on the live recordings JP is not only switches between pup's, he also conststantly tweeking his volume and tone pots on his guitar. Which also adds too his tone.
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Old 11-09-2008, 12:28 PM   #23
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Old 11-09-2008, 12:31 PM   #24
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Old 11-09-2008, 12:33 PM   #25
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Old 11-09-2008, 12:36 PM   #26
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Re: Jimmy Page ... History of his Guitars !!!

Quote:
Originally Posted by ledfree View Post
Spot on Bobbo. I've also noticed on the live recordings JP is not only switches between pup's, he also conststantly tweeking his volume and tone pots on his guitar. Which also adds too his tone.
I noticed in the MSG show from 1973 Jimmy uses the middle or rhythm position oh his LP for most of the time , Only using the treble position for leads or heavier parts !!!
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Old 11-09-2008, 02:13 PM   #27
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Re: Jimmy Page ... History of his Guitars !!!

I still can't get over this thread. The guy who went thru all of the trouble of doing this, should be rewarded. This is the Holy Grail of Jimmy Page information. Can't beat it. I almost cried when I finished reading. It was closing a chapter in my life. I now know what Pagey used and why and how and who from, etc,etc..Bobbo, if I could thank you more I would. But, I already gave you a thanks up top...you da man!
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Old 11-09-2008, 02:21 PM   #28
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Originally Posted by Es Paul View Post
I still can't get over this thread. The guy who went thru all of the trouble of doing this, should be rewarded. This is the Holy Grail of Jimmy Page information. Can't beat it. I almost cried when I finished reading. It was closing a chapter in my life. I now know what Pagey used and why and how and who from, etc,etc..Bobbo, if I could thank you more I would. But, I already gave you a thanks up top...you da man!
I'm sure there's more info out there !!! If there is I'll find it and post it !!! I encourage anyone who has Jimmy info to post it here and really make this an information buffet !!!!! Ohh Thanks for the props !!!
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Old 11-09-2008, 02:31 PM   #29
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Re: Jimmy Page ... History of his Guitars !!!

Jimmy Page Info ..Part 1


James Patrick Page, OBE (born 9 January 1944) is an English guitarist, composer and record producer. He began his career as a studio session guitarist in London and was subsequently a member of The Yardbirds from 1966 to 1968, after which he co-founded the English rock band Led Zeppelin.

Page has been described as "unquestionably one of the all-time most influential, important, and versatile guitarists and songwriters in rock history".[1] In 2003, Rolling Stone magazine ranked Page #9 in its list of the 100 Greatest Guitarists of All Time.[2] He has been inducted into the Rock and Roll Hall of Fame twice, once as a member of The Yardbirds (1992)[3] and once as a member of Led Zeppelin (1995).[4]

Early years
Page was born in the West London suburb of Heston, which today forms part of the London Borough of Hounslow. His father was an industrial personnel manager and his mother was a doctor's secretary. In 1952 they moved to Miles Road, Epsom. Page first played the guitar when he was 11 years old he played his guitar at his school talent show and he was great, 1977 Jimmy Page Interview, Modern Guitars, May 25, 2007 (originally published in the July 1977, issue of Guitar Player magazine).</ref> and, although he took a few lessons in nearby Kingston, was largely self-taught. Among his early influences were rockabilly guitarists Scotty Moore and James Burton, who both played on recordings made by Elvis Presley. Hearing the Presley song "Baby Let's Play House" is cited by Page as being his inspiration to take up playing the guitar.[5] His first guitar was a second hand 1959 Futurama Grazioso, which was later replaced by a Telecaster.[5][6]

Page's musical tastes included skiffle and acoustic folk playing, particularly that of Bert Jansch and John Renbourn, and the blues sounds of Elmore James, B.B. King, Otis Rush, Buddy Guy, Freddie King and Hubert Sumlin.[7] "Basically, that was the start: a mixture between rock and blues."[5] At the age of 14, Page appeared on Huw Wheldon's All Your Own talent quest programme in a skiffle quartet, a popular English music genre of the time. One performance was televised[1]. Asked by Wheldon what he wanted to do after schooling, Page said, "I want to do biological research" to find a cure for "cancer, if it isn't discovered by then". Page was very enthusiastic about the idea of becoming a career researcher studying germs, but expressing reservations that "I haven't got enough brains" to become a doctor.

Page said in an interview with Guitar Player magazine, "There was a lot of busking in the early days, but as they say, I had to come to grips with it, and it was a good schooling."[5] Page would take a guitar to school each day and have it confiscated and handed back to him at 4.00 pm.[8] He was interested in science and had an interview for a job as a Laboratory Assistant, but he ultimately chose to leave Danetree Secondary School, West Ewell to pursue music instead [8]. Initially, Page had difficulty finding other musicians with whom he could play on a regular basis. "It wasn't as though there was an abundance. I used to play in many groups... anyone who could get a gig together, really."[6] Following brief stints backing Beat poet Royston Ellis and singer Red E. Lewis, he was asked by singer Neil Christian to join his band The Crusaders after Christian had seen a fifteen-year-old Page playing in a local hall.[6] Page toured with Christian for approximately two years and later played on several of his records, including the November 1962 single, "The Road to Love".

During his stint with Christian, Page fell seriously ill with glandular fever (infectious mononucleosis) and couldn't continue touring.[6] While recovering, Page decided to put his musical career on the shelf and concentrate on his other love, painting. He enrolled at Sutton Art College in Surrey. As he explained in an interview in 1975:

[I was] travelling around all the time in a bus. I did that for two years after I left school, to the point where I was starting to get really good bread. But I was getting ill. So I went back to art college. And that was a total change in direction. That's why I say it's possible to do. As dedicated as I was to playing the guitar, I knew doing it that way was doing me in forever. Every two months I had glandular fever. So for the next 18 months I was living on ten dollars a week and getting my strength up. But I was still playing.[9]
Session musician
While still a student, Page would often jam on stage at The Marquee with bands such as Cyril Davies' All Stars, Alexis Korner's Blues Incorporated and with guitarists Jeff Beck and Eric Clapton. He was spotted one night by John Gibb of The Silhouettes, who asked him to help record a number of singles for EMI, including "The Worrying Kind". It wasn't until an offer from Mike Leander of Decca Records that Page was to receive regular studio work. His first session for the label was the recording "Diamonds" by Jet Harris and Tony Meehan, which went to Number 1 on the singles chart in early 1963.[6]

After brief stints with Carter-Lewis and the Southerners, Mike Hurst's group, and Mickey Finn and the Blue Men, Page committed himself to full-time session work. As a session guitarist he was known as 'Little Jim' so there was no confusion with Big Jim Sullivan. Page was mainly called in to sessions as "insurance" in instances when a replacement or second guitarist was required by the recording artist. "It was usually myself and a drummer", he explained, "though they never mention the drummer these days, just me ... Anyone needing a guitarist either went to Big Jim [Sullivan] or myself"[6]

Page was the favoured session guitarist of producer Shel Talmy, and therefore he ended up doing session work on songs for The Who and The Kinks as a direct result of the Talmy connection.[10] Page's studio output in 1964 included Marianne Faithfull's "As Tears Go By", The Nashville Teens' "Tobacco Road", The Rolling Stones' "Heart of Stone" (released on Metamorphosis), Van Morrison & Them's "Baby Please Don't Go" and "Here Comes the Night", Dave Berry's "The Crying Game" and "My Baby Left Me", and Brenda Lee's "Is It True". Under the auspices of producer Talmy, Page contributed to The Kinks' 1964 debut album and he sat in on the sessions for The Who's first single "I Can't Explain" (although Pete Townshend was reluctant to allow Page's contribution on the final recording, Page did play on the B-side "Bald Headed Woman".)

In 1965 Page was hired by Rolling Stones manager Andrew Loog Oldham to act as house producer and A&R man for the newly-formed Immediate Records label, which also allowed him to play on and/or produce tracks by John Mayall, Nico, Chris Farlowe, Twice as Much and Eric Clapton. Page also formed a brief songwriting partnership with then romantic interest, Jackie DeShannon. He worked as session musician on the Al Stewart album Love Chronicles in 1969, and played guitar on five tracks of Joe Cocker's debut album, With a Little Help from My Friends.

When questioned about which songs he played on, especially ones where some controversy as to what his exact role was, Page often points out that it is hard to remember exactly what he did given the huge number of sessions he was playing at the time.[10]

Although Page recorded with many notable musicians, many of these early tracks are only available through bootlegged copies, several of which were released by the Led Zeppelin fan club in the late 1970s. The records released by the fan club include many otherwise unreleased live Led Zeppelin recordings. One of the rarest of these is the early jam session featuring Jimmy Page playing with Rolling Stones guitarist Keith Richards, featuring a cover of "Little Queen of Spades" by Robert Johnson. Several songs which featured Page's involvement were compiled on the twin album release: James Patrick Page: Session Man Volume One and James Patrick Page: Session Man Volume Two.

Page decided to leave studio work when the increasing influence of Stax Records on popular music led to the greater incorporation of brass and orchestral arrangements into recordings at the expense of guitars.[5] However, he has stated that his time as a session player served as extremely good schooling for his development as a musician:

My session work was invaluable. At one point I was playing at least three sessions a day, six days a week! And I rarely ever knew in advance what I was going to be playing. But I learned things even on my worst sessions -- and believe me, I played on some horrendous things. I finally called it quits after I started getting calls to do Muzak. I decided I couldn't live that life anymore; it was getting too silly. I guess it was destiny that a week after I quit doing sessions Paul Samwell-Smith left The Yardbirds, and I was able to take his place. But being a session musician was good fun in the beginning -- the studio discipline was great. They'd just count the song off, and you couldn't make any mistakes.[7]



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Old 11-09-2008, 02:38 PM   #30
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Re: Jimmy Page ... History of his Guitars !!!

Jimmy Page info Part 2


The Yardbirds
In late 1964, Page was approached about the possibility of replacing Eric Clapton in The Yardbirds, but he declined the offer out of loyalty to his friend.[6] In February 1965 Clapton quit the Yardbirds, and Page was formally offered Clapton's spot, but because he was unwilling to give up his lucrative career as a session musician, and because he was still worried about his health under touring conditions, he suggested his friend, Jeff Beck. On 16 May 1966, drummer Keith Moon, bass player John Paul Jones, keyboardist Nicky Hopkins, Jeff Beck and Page recorded "Beck's Bolero" in London's IBC Studios. The experience gave Page an idea to form a new supergroup featuring Beck, along with The Who's John Entwistle on bass and Keith Moon on drums.[6] However, the lack of a quality vocalist and contractual problems prevented the project from getting off the ground. During this time, Entwistle suggested the name "Lead Zeppelin" for the first time, after Moon commented that the proceedings would take to the air like a lead balloon.

Within weeks, Page attended a Yardbirds concert at Oxford. After the show he went backstage where Paul Samwell-Smith announced that he was leaving the group.[5] Page offered to replace Samwell-Smith and this was accepted by the group. He initially played electric bass with the Yardbirds before finally switching to twin lead guitar with Beck when Chris Dreja moved to bass. The musical potential of the line-up was scuttled, however, by interpersonal conflicts caused by constant touring and a lack of commercial success, although they released one single, "Happenings Ten Years Time Ago". (While Page and Jeff Beck played together in The Yardbirds, the trio of Page, Beck and Eric Clapton never played in the original group at the same time. The three guitarists did appear on stage together at the ARMS charity concerts in 1983.)

After Beck's departure, the Yardbirds remained a quartet. They recorded one album with Page on lead guitar, Little Games. The album received indifferent reviews and was not a commercial success, peaking at only number 80 on the Billboard Music Charts. Though their studio sound was fairly commercial at the time, the band's live performances were just the opposite, becoming heavier and more experimental. These concerts featured musical aspects that Page would later perfect with Led Zeppelin, most notably performances of "Dazed and Confused".

Despite the departure of Keith Relf and Jim McCarty in 1968, Page wished to continue the group with a new line-up to fulfill unfinished tour dates in Scandinavia. He recruited vocalist Robert Plant and drummer John Bonham, and was contacted by John Paul Jones who asked to join.[11] During the Scandinavian tour the new group appeared as "The New Yardbirds", but soon recalled the old joke by Keith Moon and John Entwistle. Page stuck with that name to use for his new band. Peter Grant changed it to "Led Zeppelin", to avoid a mispronunciation of "Leed Zeppelin."

Led Zeppelin
Main article: Led Zeppelin
Page has explained that he had a very specific idea in mind as to what he wanted Led Zeppelin to be, from the very beginning:

I had a lot of ideas from my days with The Yardbirds. The Yardbirds allowed me to improvise a lot in live performance and I started building a textbook of ideas that I eventually used in Zeppelin. In addition to those ideas, I wanted to add acoustic textures. Ultimately, I wanted Zeppelin to be a marriage of blues, hard rock and acoustic music topped with heavy choruses -- a combination that had never been done before. Lots of light and shade in the music

Influence

Page's past experiences both in the studio and with the Yardbirds were very influential in contributing to the success of Led Zeppelin in the 1970s. As a producer, composer, and guitarist he helped make Led Zeppelin a prototype for countless future rock bands, and was one of the major driving forces behind the rock sound of that era, influencing a host of other guitarists.[12] For example, his sped up, downstroke guitar riff in "Communication Breakdown" is cited as guitarist Johnny Ramone's inspiration for his punk-defining, strictly downstroke guitar strumming, while Page's landmark guitar solo from the song "Heartbreaker" has been credited by Eddie Van Halen as the inspiration for his two-hand tapping technique after he saw Led Zeppelin perform in 1971. Page's solo in the famous epic "Stairway to Heaven" has been voted by readers of various guitar magazines, including Guitar World and Total Guitar, as the greatest guitar solo of all time, and he was named 'Guitarist of the Year' five years straight during the 1970s by Creem magazine.

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