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#1 (permalink) |
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Wierd Byrdland
Got a buddy of mine who thinks he has a Byrdland, My question is.....Did they ever make a byrdland with dot inlays? I do not think so.....I have not seen the guitar yet. Im going to look at it on Wednesday.
I do know it has silkscreen logo, what he thinks is a non bound neck, Pat Pend Grovers, he says its black and has humbuckers. I know this is nothing without pics, trying to get them now. It has am impressed serial number (No Made in USA) impression.
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03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
Last edited by Sct13; 02-13-2013 at 04:43 PM. |
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#5 (permalink) |
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Re: Wierd Byrdland
To my knowledge the Byrdland had rectangular inlay, distinct logo on headstock, truss rod cover said "Byrdland", and the neck was bound. (But it has been a LONG time since I saw one).
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#6 (permalink) |
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Re: Wierd Byrdland
A Byrdland with dots?
I'll roll over and pass out. They're HIGH DOLLAR guitars. Anyway, evaluating this guitar without photos is like pissing up a rope. A waste of time, even if it does keep your toes warm.
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#8 (permalink) |
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Re: Wierd Byrdland
Well thats just it, I don't think its a Byrdland. HE thinks it is because it SAYS Byrdland on the trapeze, I am just looking at the phone pics.
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03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
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#11 (permalink) |
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Re: Wierd Byrdland
Sorry guys I can't (or don't know how to) get the photos off the damn phone!!! grrrrrrr.
__________________
03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
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#12 (permalink) | |
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Re: Wierd Byrdland
Quote:
If you want to email them to me, I can host and post them for you. Just send me a PM and I will give you my email addy.
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#13 (permalink) |
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Re: Wierd Byrdland
I tried everything, my wife even tried. The pics are in my text message, when I try to select it it asks "set picture as" like wall paper or whatever, I cant save them to anything, they do say MMS......WTF is that?
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03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
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#14 (permalink) |
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Re: Wierd Byrdland
got it figured out, on the way!
__________________
03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
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#15 (permalink) |
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Re: Wierd Byrdland
OK This is no Byrdland, IT may be a 60's...something ES125 that had P90's???
and was "modded" to Look like his favorite guitar players (Nugent) axe? The switch is in the wrong place, the neck pickup is too low, and the rest is pretty obvious. I will break it to him gently, and with great caution. Any help as to what it might be would be helpful, sorry for the delay in getting photos up, "Technology" ....... ![]() ![]()
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03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
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#17 (permalink) |
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Re: Wierd Byrdland
Wow someone took the pole pieces out of the pickups....must be a tone thing...
![]() He says its a 61' So if everything else is wrong...... ![]() Yea I,m sure it'll probably rip, out of my Marshall.
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03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
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#18 (permalink) | |
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Re: Wierd Byrdland
Quote:
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#19 (permalink) |
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Re: Wierd Byrdland
Actually, that is exactly where a Byrdland's switch is.
My guess is that it is a 135 with the pup switch moved and a Byrdland trapeze installed. Edit: this guitar has bound F holes.......is it a fake, or is it a Byrdland with dot inlays and unbound fretboard. Maybe a reneck? What I'm saying is that this guitar SCREAMS Byrdland except for the inlays and lack of binding.
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#20 (permalink) |
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Re: Wierd Byrdland
I'm not especially familiar with Byrdlands.....but that still looks strange based on what I have seen.
The pickup looks too far away from the end of the fretboard. Any Byrdland I have seen has a fancy design at the end of the board also, with binding all the way up including the headstock. The switch still looks misplaced to me. |
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#21 (permalink) |
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Re: Wierd Byrdland
That is why I am wondering if it is a reneck. There should be a fancy scroll like design carved at the end of the fretboard as you say. The switch is right.
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The blues is easy to play, but it's hard to feel. ~ Jimi Hendrix Misuse of the word literally makes me figuratively insane. ~as seen on tee shirt |
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#22 (permalink) |
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Re: Wierd Byrdland
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The blues is easy to play, but it's hard to feel. ~ Jimi Hendrix Misuse of the word literally makes me figuratively insane. ~as seen on tee shirt |
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#23 (permalink) |
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Re: Wierd Byrdland
I was thinking reneck too, and moved switch, I will see it in person on Wednesday. IF it is a 61 (the serial number falls within the range of late 61 according to the information gathered) I really want to look at those pickups and pots, he already said we can rip into it. This might be fun. I will post results for curiosities sake.....
There is only 20 frets on this one and 24 on a Byrdland, which explains the appearance of the pickup location. A few measurements will show.
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03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
Last edited by Sct13; 02-12-2013 at 01:30 AM. |
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#24 (permalink) |
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Re: Wierd Byrdland
Even though this is a thinline, the shape of the body, cutaway shape and position of pickups suggests a modified ES-175D, or something similar. Possibly a 1961 ES-175 body (made thinner) with a lower-end model replacement neck in the late 1960's. Refinished black? A weird switch position however. Could they be PAF's? or Pat.Pend No.s?
Is the black finish original that you can determine? Is there an original orange label inside denoting the model? Bindings look very white. F hole bindings look thicker than usual. Try and use a UV blacklight on it if you can. Very hard to tell from these photos, but if it is a factory job from 1968/1969 (it's possible) then it could be an unusual custom ordered guitar. The original owner might have ordered the best elements/featured he liked from an ES-175D and a Byrdland, without the bling (less fancy inlays, etc). Gibson did have unfinished spare/replacement bodies and necks from certain models in room/s around the plant during the 1960's. Have a look at the end colour pages in Duchossoir's 'Gibson Electrics - The Classic Years'. There are a few examples of hybridised instruments there. I have an ES-5 Switchmaster from 1961 with a 1960 FON and a (chunky) full-width L5-CES neck from 1969. It's all-original (no evidence of a re-neck or re-finish). 'Custom' TRC and late 1960's 'burst pattern. x3 unmolested PAFs. These things did happen - either as one-off orders or 'employee' guitars and were not necessarily included in Gibson shipping totals. Whatever it is, that certainly looks like a real player! |
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#25 (permalink) | |
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Re: Wierd Byrdland
Quote:
Thanx the exact answer I was looking for, It does appear to be a modified version of the ones mentioned above also a ES-125TDC, or CS that was in 66' It was "repainted" according to the owner, he obtained it in a debt settlement, and seems quite confident of its authenticity as a byrdland I'm not going to ask how much.... He knows very little of its history, but is interested in what I will dig up. We shall see tomorrow. I will photograph it better, and report my findings. I will look for the orange label, and an FON, Double check his serial # and its configurations and look at the pickups and pots, wiring etc. It seems the case (to him is) "very old" I have already mentioned that the case has no bearing on the guitar. The TRC looks painted. F-hole binding ?????what happened there? look for signs of a tampered neck joint. I guess the biggest tip off would be altered pickup cuts for the hummbuckers, whether or not they look factory clean or done with a pocket knife..... We Shall see!!!!
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03 Gibson LP R9 Flame: Washed Cherry 11 Gibson LP R9 Flame: Slow Iced Tea Fade 12 Gibson LP R8 Flame: Allman Burst 93 Strat Plus 95 Washburn XB100 Bass 08 Takamine G Elec/Acus 00 Jose L Posligo Guitares De Artisana 68 JMP Marshall 50 W Plexi 77 JMP Marshall 100 W 2203 09 Marshall Vintage Modern 50W Combo 13 MetroAmp 100w 1959 67 Traynor YGA1a "In the beginning, there was tone, and it was good."
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#26 (permalink) |
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Re: Wierd Byrdland
Maybe the position of where the FB connects at the body gives a clue. A Byrdland should connect at the 15th fret I believe. This one connects at the what appears to be the 18th, which the 175 does, but I thought that they had either block or split trapazoid, one or the other, inlays and they are a thicker body.
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#28 (permalink) |
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Re: Wierd Byrdland
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The blues is easy to play, but it's hard to feel. ~ Jimi Hendrix Misuse of the word literally makes me figuratively insane. ~as seen on tee shirt |
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#29 (permalink) |
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Re: Wierd Byrdland
Byrdland's all have 23 1/2 scale necks to my knowledge if the scale is longer it's not a Byrdland or at least not a stock one. I collect books on Gibson and this guitar has most of the similarities of an old es135 accept for the hum bucking pickups and the tailpiece what ever it is sure looks nice.
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