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#1 (permalink) |
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Bartlett Retrospec Member
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A tale of two guitar finishes
Hey all....finish question
I saw a good friend on the weekend who I used to jam with 'back in the day' He plays a black Les Paul 'Pro' that has P-90s in it. It always sounded great when we used to goof around. My question is about the finish on his neck. His paint has worn away so much that I asked if he had sanded it, the answer being no. Is this normal? I mean his frets, though in need of a crowning still had life on them. I only ask because my 70's Yammy SG had been so played that it needed to be refretted, but the neck finsh is still nice and glossy and it definitely has not been repainted. Other vintage LPs that I have looked at also had intact paint. Was this a QC issue from the 70s or does my buddy Ted have 'acid' for sweat?
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![]() 2012 Gibson Les Paul Junior Special P90 * 2010 Epiphone '57 Les Paul Junior Reissue * 2008 Yamaha RBX374 * 1993 Yamaha FG 411 VS * 1989 Yamaha Pacifica w/TexMex * 1980 Kasuga 'Northern' Custom * 1979 Yamaha SG700 Amplifier: TraynorYCV50 Blue https://soundcloud.com/northernguitarguy/funky-mama-rhythm-section Free your mind, and your ass will follow-George Clinton |
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#2 (permalink) |
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Re: A tale of two guitar finishes
Possibly a case of nitro cellulose VS. polyurethane. Nitro wears down much quicker. But also just different players. Some guys are just rougher handlers and do more rubbing than others. All guitars are different as well.
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#5 (permalink) |
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Bartlett Retrospec Member
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Re: A tale of two guitar finishes
OK, next question is why nitro over a poly finish? Cheaper or less time-consuming?
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![]() 2012 Gibson Les Paul Junior Special P90 * 2010 Epiphone '57 Les Paul Junior Reissue * 2008 Yamaha RBX374 * 1993 Yamaha FG 411 VS * 1989 Yamaha Pacifica w/TexMex * 1980 Kasuga 'Northern' Custom * 1979 Yamaha SG700 Amplifier: TraynorYCV50 Blue https://soundcloud.com/northernguitarguy/funky-mama-rhythm-section Free your mind, and your ass will follow-George Clinton |
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#8 (permalink) |
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Bartlett Retrospec Member
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Re: A tale of two guitar finishes
Hmmm.....seems 'better' to use poly? Why wouldn't Gibson use the 'best'
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![]() 2012 Gibson Les Paul Junior Special P90 * 2010 Epiphone '57 Les Paul Junior Reissue * 2008 Yamaha RBX374 * 1993 Yamaha FG 411 VS * 1989 Yamaha Pacifica w/TexMex * 1980 Kasuga 'Northern' Custom * 1979 Yamaha SG700 Amplifier: TraynorYCV50 Blue https://soundcloud.com/northernguitarguy/funky-mama-rhythm-section Free your mind, and your ass will follow-George Clinton |
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#10 (permalink) |
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Re: A tale of two guitar finishes
Yea nitro is considered best. Poly is what is on most Asian guitars. Poly doesn't let the guitar breath as much as Nitro. Nitro's increased breathability also lends to its fragileness. You can literally rub a nitro finish off with your fingers. Poly is more like a thick layer of plastic over the guitar, choking its breath. But Poly also protects the wood a bit better. Most guitar players are more worried about good tone vs. good looks. Nitro gives better tone.
Personally, I don't care much either way. There's a really good thread in the Epiphone section about dulling down Epiphones shiny poly finishes. Pretty awesome results from what I saw. |
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#11 (permalink) |
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Bartlett Retrospec Member
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Re: A tale of two guitar finishes
No offense, but on an electric? I don't believe that
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![]() 2012 Gibson Les Paul Junior Special P90 * 2010 Epiphone '57 Les Paul Junior Reissue * 2008 Yamaha RBX374 * 1993 Yamaha FG 411 VS * 1989 Yamaha Pacifica w/TexMex * 1980 Kasuga 'Northern' Custom * 1979 Yamaha SG700 Amplifier: TraynorYCV50 Blue https://soundcloud.com/northernguitarguy/funky-mama-rhythm-section Free your mind, and your ass will follow-George Clinton |
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#12 (permalink) |
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Re: A tale of two guitar finishes
You are diving into a sea of long debate now. Much has been discussed on the issue of wood tone on an electric guitar. Like I said, I dont really care much either way.
Nitro is what all early Gibsons were finished with. And today, they are regarded as the best sounding instruments made. As earlier stated, Nitro is "vintage correct." Most of today's Les Pauls have Nitro finishes. My Trad. Pro has it and it is already wearing significantly. It resonates like a beast. But back to your original post, it's clear evidence of the differences in the two finishes. |
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#13 (permalink) |
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Re: A tale of two guitar finishes
Nitro was first in amerikan industrial laquering, if i remember right. It also was the standard laquer for cars until 50' (?), thats why gibson and fender use it in the past. It was there and it was cheap. Some of the 7ender colours direktly refers to car colours..
Gibson was clever enought (or just grasping? ), not to chance to poly and i dont think, they now ever do. I dindnt mind, if a guitar is poly laquered, as long , as the neck feels allright to handle. Sadly, poly dindt bleach or gilb like nitro, also it doesnt work. So it wouldnt chance the colour, like old nitro laquered guitars or the pinkish bindings on newer ones did. This 79' Aria P2 TS 400 have poly laquer, its one of the best handling guitars i ever played and looks nearly new from 1 meter distance. You have to take a deeper look, for registering all the fine scratches and few dings, which tells you, she isnt a virgin ![]() and yes, i like photos
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#15 (permalink) |
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Re: A tale of two guitar finishes
If Gibson ever started using poly instead of nitro it would piss off the purists more than volutes, three piece necks, pancaked bodies, mini humbuckers, change in fretboard woods and anything else they could imagine put together.
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#17 (permalink) |
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Re: A tale of two guitar finishes
This is true. My GT is worn to the wood and I love it. So much that I almost want to make it happen on my other '71.
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#19 (permalink) |
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Re: A tale of two guitar finishes
Guitars don't "breathe." What is even meant by such a statement? It's silly.
And even if they did, does that mean you could change the tone of your poly-finished guitar by leaving the control-cavity cover off? If you don't finish inside the routing on a Strat, can you still get the benefits of "breathing" while using poly? The reason Gibson cites for using nitro is tradition and repairability. The second is a fine reason, the first doesn't do it for me, but I understand many Gibson players are hidebound, as pointed out above. Me, I don't give a shit what the guitar is finished in, because the only time it makes a difference is when I drop it, and I don't do that. |
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#20 (permalink) |
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Re: A tale of two guitar finishes
it's literally because your guitar is coated in plastic, that finish on your Yamaha will outlive you
![]() I like Nitro for its aging properties, I prefer poly for its glass finish on some guitars, but then I also love poly when its been dulled down. As to poly/breathing/nitro/tone - it doesn't make an ounce of difference, it's all in preference. If people played instead of debating tone - we'd all hear a tone improvement - Myself included
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#21 (permalink) | |
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Re: A tale of two guitar finishes
Quote:
I know it probably doesn't matter much to the pickups, but it's a fact sir. It's like using a latex gas station condom vs. a ultra thin condom. One lets you feel the goodness more than the other. A good guitar "breathes" right into your ball sack, letting you know when you're rocking at full potential. |
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#22 (permalink) |
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Re: A tale of two guitar finishes
Nitro has no better or worse tone than poly. The reason why people prefers nitro is basically tradition. Most of Gibson lovers like vintage instruments and want to see their guitar getting a vintage look pretty fast. Poly finishes don't do that...It will look like mint for 500 years.
Tonal differences between nitro and poly? come on...a different string brand makes so much more difference.
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#23 (permalink) | |
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Re: A tale of two guitar finishes
Quote:
unless youre a butterfingers like me.
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#24 (permalink) | ||||
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Re: A tale of two guitar finishes
Quote:
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Nitro is less dense than poly. Because of those simple physical facts, I'm very skeptical of this whole "holding in the resonance frequencies" thing. Quote:
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Also, thickness of finish isn't determined by its composition. I have a satin-finished Takamine acoustic that sounds great, not because it's done in nitro (it isn't) but because on the thin top of an acoustic guitar, the thinness of finish (not its composition) allows the top to push the air in the soundbox more efficiently. My Takamine has a very thin poly finish. |
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#26 (permalink) |
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Bartlett Retrospec Member
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Re: A tale of two guitar finishes
Cool debate I started here! Thanks for your perspectives!
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![]() 2012 Gibson Les Paul Junior Special P90 * 2010 Epiphone '57 Les Paul Junior Reissue * 2008 Yamaha RBX374 * 1993 Yamaha FG 411 VS * 1989 Yamaha Pacifica w/TexMex * 1980 Kasuga 'Northern' Custom * 1979 Yamaha SG700 Amplifier: TraynorYCV50 Blue https://soundcloud.com/northernguitarguy/funky-mama-rhythm-section Free your mind, and your ass will follow-George Clinton |
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#27 (permalink) | |
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Re: A tale of two guitar finishes
Quote:
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#28 (permalink) | |
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Re: A tale of two guitar finishes
Quote:
For example, ALL matsumoku guitars where poly..and there not less out there, which would stand against a good les paul... I guess, nobody could tell a tonal diference in a blind test with same guitar, different laquer.. but thats just my 2 cent |
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#29 (permalink) |
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Re: A tale of two guitar finishes
I actually have no idea what I'm talking about. I only talk BS on these forums. I lost this argument from the get go. The only guitar I ever had I pissed on to make it look cool.
John Mayer seems to agree with me though with his stripped strat. I know that doesn't make me sound any cooler. Does it? Is it ok to mention John Mayer on here? Maybe SRV would be a better comparison since he removed most of his finish as well. |
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