huw

Sir, if you don't mind: http://www.mylespaul.com/forums/guit...-zep-solo.html

Love to get your input: http://www.mylespaul.com/forums/guit...ogression.html

My brother asked that I pass along his sincere gratitude for the CDs. They are now in his prized-possession locker.

Our thoughts on the performance, in extreme hindsight, pretty much match yours. It gets going starting with the third track, meanders in a few places, and you definitely had to be there.

Which we were.

I noticed they all had the same four notes after I messaged you. Well, the same in my parlance. I'll ask you about the enharmonics once I wake up. This version, more or less:


Look for the version with BB King and Bonnie Raitt, as well.

huw - you're replying to visitor messages on your own page, so we don't know you've replied. Hit the "View Conversation" link first, then reply.

In Night Life, where the chart says A-Am, I play:

A7, A#dim, Edim7, Gdim7, A#dim7, walking up the board on the four high strings. The latter resolving to E sounds great, and now I understand why - on an intuitive basis. The A# is not a IV yet not a V, so it's a teaser - an unexpected tone to be hung on, yet still drops like a rock back to the root, which it also includes.

And, despite always going up in pitch, in the scale it's teasing you towards the V, back down to the I, then the iii, then almost to the V again - squirm, lose your balance, and fall back to the root. Neat shit.

I did - damn, I haven;t replied have I? Sorry mate, this week;s been crazy. I;ll give it some thought over the weekend, honest! Cheers, Huw

did you get my PM about cabs??

I thought I had it right! Okay, well xmas will be busy, obviously, but as soon as I can get my hands on it you'll be hearing from me. Your brother's going to be jealous...

That's it, yep!



My brother would go apeshit to have his hands on that.