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#1 (permalink) |
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R9 2003 Cherry Burst Value
Do you think this guitar would is worth $4500? Friend traded it to me, I'd love to keep it and play it...but I don't have that kinda fundage.
Gibson 1959 Reissue Les Paul Standard Custom Shop 2003 Cherry Burst |
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#3 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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For example I just purchased this lovely 1999 R9 for a lot less than $4.5k. I walked away from several opportunities because they were not in my budget. Patience is a virtue especially if you're on a budget. ![]()
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#4 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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#7 (permalink) |
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Re: R9 2003 Cherry Burst Value
By "braz" he means it has a Brazilian Rosewood fingerboard which is worth a small fortune to a few folks around here. Depending on the serial number, it may be worth closer to $7K-$12K depending on the day of the week and the motivation of the buyer (there are some being offered for nearly twice THAT right now!!!!). There's been a lot of talk about it lately, so interest may be high.
Right at the top of the HISTORIC forum, there is a checker so you can see if it's Brazilian. If it is, you've hit the jackpot! Bob
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Temptation is the root of all guitar collections... "I can't stop keeping up with the Toneses." JakeIsLove, 2011 MyLesPauls MyGallery |
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#8 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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Yes, I am very familiar with what braz means, and what it may be worth and where to check the serial numbers. My post was asking what the serial number is so that I can verify for myself. Have you not seen the two braz 2003 R9s in my avatar? I did a big thread about them a while back. |
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#9 (permalink) |
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Re: R9 2003 Cherry Burst Value
I paid a little over $3K for a 2003 R9 at the Ohio guitar show a few weeks ago. It was loaded with a pair of Throbak SLE-101 Plus pups and the original Burstbuckers were included also. There are good deals to be had, you just have to find them.
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#11 (permalink) |
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Re: R9 2003 Cherry Burst Value
Dano, that's gorgeous! If you ever want to sell it, let me know.
It's a good thing you mentioned what you paid.
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#14 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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#15 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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Bob
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Temptation is the root of all guitar collections... "I can't stop keeping up with the Toneses." JakeIsLove, 2011 MyLesPauls MyGallery |
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#17 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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Funny thing is, I wasn"t being critical of anything in this post. Just advising the OP that he might have something that's worth a lot to a group of people out there. Just to make sure he knows... You know, so he doesn't run into someone who might take advantage of his lack of knowledge. Nobody on THIS board, of course, but you never know where else he is posting. One more thing... 'BOBBO??!' Bob
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Temptation is the root of all guitar collections... "I can't stop keeping up with the Toneses." JakeIsLove, 2011 MyLesPauls MyGallery Last edited by uburoibob; 02-06-2011 at 06:26 PM. |
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#18 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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#19 (permalink) | |
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Re: R9 2003 Cherry Burst Value
Quote:
Bob
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Temptation is the root of all guitar collections... "I can't stop keeping up with the Toneses." JakeIsLove, 2011 MyLesPauls MyGallery |
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#21 (permalink) | |
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Re: R9 2003 Cherry Burst Value
Quote:
Bob
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Temptation is the root of all guitar collections... "I can't stop keeping up with the Toneses." JakeIsLove, 2011 MyLesPauls MyGallery |
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#23 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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I fail to understand why my rejecting them as not being worth it bothers you so much... Why can't I simply not see the value in something I've taken to time to look for value in and came up empty? Does my not thinking they are worth it somehow devalue yours? Really. It's ok. You be you. I'll be me. And that's a beautiful thing. Bob
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Temptation is the root of all guitar collections... "I can't stop keeping up with the Toneses." JakeIsLove, 2011 MyLesPauls MyGallery |
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#24 (permalink) |
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Re: R9 2003 Cherry Burst Value
Hahahahha, this is funny, I helped carry enough Brazilian boards into my buddy's shop today to know I don't care if a LP has a Brazilian board or not. The cost of them compared to Indian or Madagascian or Martian, or whatever is minor, but the upcharge from Gibson is silly . I refuse to believe it makes the LP worth twice as much. I cannot hear, feel or justify the difference. Those of you that think it makes a difference ....ugh, no.
Some of todays haul..... I am qualified to say I've seen Brazilian. ![]()
Last edited by DEMENTED; 02-06-2011 at 07:44 PM. |
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#25 (permalink) |
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Re: R9 2003 Cherry Burst Value
So in the 50's the Craftsman at Gibson deciding what material to use for the Fret Boards chose Brazilian out of happen stance. Had nothing to do with Tone or Playability. Then in 2003 Gibson went out of their way to construct a limited run of Les Pauls with Brazilian Board just to get rid of the Wood.
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#26 (permalink) |
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Re: R9 2003 Cherry Burst Value
Hey Demented,
There actually was no up charge from Gibson when they were sold originally. These have gone up in price due only to the scarcity of them, and the reaction of a handful of collectors around the world who have continued to drive the price up to each other. I agree. No discernible difference. If they want to trade them as currency, more power to them. But I am a firm believer in caveat emptor and try to present the other side of the story whenever I can. As INSTRUMENTS, they are just R9 guitars - just like all of them - with some being better than others. But in my opinion, performance has nothing to do with the Braz. If it did, there'd be a run on 50s and early 60s Gibsons of all sorts. It's smoke and mirrors in this instance, proffered by folks who have a vested interest in keeping the smoke flowing and the mirrors reflecting. Bob
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Temptation is the root of all guitar collections... "I can't stop keeping up with the Toneses." JakeIsLove, 2011 MyLesPauls MyGallery |
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#27 (permalink) | |
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Re: R9 2003 Cherry Burst Value
Quote:
In 2003, it was a marketing opportunity. I am sure they are bemused by these forums and the fauxrensics that happen here, and instead of ignoring or fighting it, they looked around and said 'this will sell.' And built them. Henry doesn't do a thing unless it positively affects the bottom line. Not one thing. As I said. You like em. You've got em. That's great. I don't dislike them, just don't think they are worth the inflated dough they go for. That's all. No big deal. Again, I don't know why that notion has your knickers in such a twist. Bob
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Temptation is the root of all guitar collections... "I can't stop keeping up with the Toneses." JakeIsLove, 2011 MyLesPauls MyGallery |
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#28 (permalink) | |
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Re: R9 2003 Cherry Burst Value
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#29 (permalink) |
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Re: R9 2003 Cherry Burst Value
This sniping is too funny. I will have to chime in.
First, it isn't a handful of collectors who are driving up the price on the 2003 Braz board LPs (let's not forget the 2001 & 2002 models). How many did they make? In 2003 about 674ish (all reissues combined or is that R9s only)? The rarely come up for sale, so in that respect they are rare. Why do they rarely come up for sale? Maybe because they are very special instruments? But I would say 1,000 people is more than a handful. Those 1,000 people are creating the lack of supply. As for braz not being a superior wood for the fret board compared to other rosewoods, that is nonsense. Gibson was already expert with acoustic guitars & braz board before the LP was invented. They already had done all of the testing of various kinds of rosewoods on the fret board to determine the best woods. Braz with its hard smooth surface proved to be the winner. Gibson's research into this is well documented. Paul Reed Smith agrees. That says something. Now, as to how much of a better player it makes one person to the next may be neglible. As to how it affects tone may not be discernable to the human ear. I like ebony the best. But they don't typically use it on LP Standards - my favorite guitar. I like all types of rosewood on my LP Standards. But I have to say that when I got my first 03 braz r9, I did notice a difference, albeit not big. I will take every advantage I can get since I have to work at my playing more than many people. Slap some 1950s PAFs on the braz board guitar and you have something that is very close to a 50s burst. My braz r9 is 8 years old. When many of the players like Clapton, Bloomfield, Page, Allman, and many others made some of their best music in the 60s and 70s, their bursts were not much older than my braz r9. So as far as I am concerned, I am real close to where I want to be. Peace. |
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