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#1 (permalink) |
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R9 - any bad years to stay away from?
Hi,
I'm in the market for a R9 and would like to know if there are certain manufacture years to stay away from. I know Gibson has had periods where there QC has not been up to par. Maybe this doesn't apply to the custom shop. Specifically, I've been eye-ing a 1990 R9. Any advice is appreciated, thanks. |
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#2 (permalink) |
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Re: R9 - any bad years to stay away from?
I don't believe there is such a thing as a bad year for reissues, well, Gibson in general.
There is a thread on here that lists the changes by year though, you can browse through that. |
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#3 (permalink) |
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Re: R9 - any bad years to stay away from?
Agreed, there are not bad "years". Some are better than others, just play a bunch of them and pick your favorite!!! Not to make things more complicated but... Some are better than others to each individual as well. The best one for me might not be the best one for you. It's really a feel/sound thing, not black and white.
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#5 (permalink) |
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Re: R9 - any bad years to stay away from?
'83.
Head on over the the Les Paul Forum, on the front page you can check out Mike Slubowski's article on the first decade of reissues. |
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#7 (permalink) |
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Re: R9 - any bad years to stay away from?
Yes it does only refer to those with serial number beginning with 9 and these are 1959 reissues. So you are correct on both counts.
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#10 (permalink) |
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Re: R9 - any bad years to stay away from?
R9 - any bad years to stay away from?
Anyone made after 1959
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#11 (permalink) | |
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Re: R9 - any bad years to stay away from?
Quote:
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#13 (permalink) |
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Re: R9 - any bad years to stay away from?
Ah, I stand corrected. I thought that all 59 reissues s/n's started with a 9. Sorry to confuse you with bad information!
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#16 (permalink) |
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Re: R9 - any bad years to stay away from?
The 1983-mid 93 Reissues are Flametop Reissues. There SN started with the year manufactured. 3=1983 or 1993, 7=1987, 8=1988 9=1999 0=1990 etc. They are NOT R9s. The R9s started in mid 1993. There is a HUGE difference between a 1993 Flametop reissue (preHistoric) and the later in the year 1993 R9 and that divied applies to before and after that point in mid 1993. As far as HISTORIC R9s from mid 1993-present, there are no bad years, some people prefer certain years for varying reasons, in general the newer the more accurate, with 1999 and 2003 being milestone years in that respect.
I have owned MANY 83-93 PreHistorics and they certainly have their charm too, and a few I have owned kicked ass all over the many Historics I have owned. |
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#18 (permalink) | |
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Re: R9 - any bad years to stay away from?
Quote:
In 1991 the PreHistoric flametop reissues were split into 1960 reissues and 1959 reissues based on neck profile, but they were not R0s or R9s until late 1993 when the long tenon Historics emerged. |
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#19 (permalink) | |
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Re: R9 - any bad years to stay away from?
Quote:
If you like a 1990 R9 buy it. The Gibson Custom Shop didnt exist or start producimg RI until later 1993, 94 , 95. If you have to have a "period accurate" RI then look to the 1999-2008 RI but if you can play it doesnt matter as its all in the hands. The 93,94,95 guitars were notable for their wild flame tops but they look dipped in plastic as the clear coat was heavy. I suspect the wild tops used were western maple not the eastern maple. Look at the PRS and other models with wild flame tops, its western maple. For the most part, real 58 & 59's didnt have top like that as that wood was reserved for the archtops. Virtually all 59 flame tops in late 93 & 94 were painted by Tom Murphy. If you find one, ck the body cavity for his initials but the seller will probably know. Prices for this period run 6,500-8,000---very pricey. For that amount be patient and look for a 1999 Anniversary 59 RI. The first 35 were done by Murphy and will run in the 7-8k area but it will always be worth that amount of more. Really, anything in the 1999 59 RI anniversary family the way to go from a money/business standpoint as they are a "first run". The 2000-2008 59 Murphy aged RI are great and run 5,500-6,000 used. Again, be patient and get one for 5,500 and you will never lose a dime. One last thing, on the 1999-2008 Historic models, the mahogony body before routing cant weigh more that 4lbs. The prior years and VOS dont have graded and weighed bodys. You see these "chambered" fancy LP. Those are just heavy bodys with holes drilled in them with a nice top and paint job. Out of 1000 mahogony bodys, only 3-4 will weigh 4lbs or less. Your paying for that. |
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#21 (permalink) |
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Re: R9 - any bad years to stay away from?
If you like a 1990 R9 buy it. The Gibson Custom Shop didnt exist or start producimg RI until later 1993, 94 , 95. If you have to have a "period accurate" RI then look to the 1999-2008 RI but if you can play it doesnt matter as its all in the hands. The 93,94,95 guitars were notable for their wild flame tops but they look dipped in plastic as the clear coat was heavy. I suspect the wild tops used were western maple not the eastern maple. Look at the PRS and other models with wild flame tops, its western maple. For the most part, real 58 & 59's didnt have top like that as that wood was reserved for the archtops. Virtually all 59 flame tops in late 93 & 94 were painted by Tom Murphy. If you find one, ck the body cavity for his initials but the seller will probably know. Prices for this period run 6,500-8,000---very pricey. For that amount be patient and look for a 1999 Anniversary 59 RI. The first 35 were done by Murphy and will run in the 7-8k area but it will always be worth that amount of more. Really, anything in the 1999 59 RI anniversary family the way to go from a money/business standpoint as they are a "first run". The 2000-2008 59 Murphy aged RI are great and run 5,500-6,000 used. Again, be patient and get one for 5,500 and you will never lose a dime. One last thing, on the 1999-2008 Historic models, the mahogony body before routing cant weigh more that 4lbs. The prior years and VOS dont have graded and weighed bodys. You see these "chambered" fancy LP. Those are just heavy bodys with holes drilled in them with a nice top and paint job. Out of 1000 mahogony bodys, only 3-4 will weigh 4lbs or less. Your paying for that.
05-22-2008 08:50 PM |
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#22 (permalink) |
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Re: R9 - any bad years to stay away from?
I don't think the year means shit to quality. I have a 2007 R9 and I A/B'ed that thing against a slew of guitars from different years, R7's, R8's, R0's, G0's and other R9's. The one I bought was, in my opinion clearly superior in tone. It was also the lightest. I did find that generally all the historics were pretty close in playability.
Anyway, here's what you do: grab two guitars you like, strum both unplugged, while the guitar is still sounding, lightly touch the tip of the headstock and see how well it vibrates. Do the same thing with the lower strap button. When you strum it is there life in the body ? Does it move/vibrate as you play it ? Does it resonate well for a solid body ? Now select an amp that you like that's readily available in all stores, set both guitars to the exact same settings. Set the amp to a tone you like and remember that setting. Now plug in guitar A and strum an open e chord. Play a riff you like. Listen for clarity of notes, bass, treble response, and general tone. Play it for awhile. How's it sound above the 12th fret ? Open notes ? Now just before you swap it for the other guitar, strum that open e again, paste that sound in your memory, now swap guitars - and hit that open e again. Sounds different don't it ? Decide which you like best. Take the one you don't like back to the clerk and grab another one and repeat the process. Now that you've decided which one sounded, felt, and played best to you in that store, now go to another store and do it all over again with the same amp set to those settings that you committed to memory. (I knew what amps were in both stores, in my case a JVM Marshall) Repeat in as many stores as possible. Don't worry too much about your ear in terms of determining good tone - it's all about what sounds good to you anyway. Now that you've found that one guitar that sounds good go home and enjoy it - but, if you really want to be sure (and I did) take that guitar to the competition and A/B it against whatever you thought might be as good or better. Don't worry - they'll let you do anything if they think there's the possibility of a sale. For me, my original choice easily won, and so I learned to trust my ear. I got two things from all this effort. A guitar that I know suits me better than anything else in the area. And the opportunity to develop my ear. A funny story is that a few weeks after this I was in one of those stores and a clerk that works there was thinking of buying a Les Paul and doesn't he hand it to me and ask me to play it and let him know what I thought of it ! I know this sounds like a long drawn out pain in the ass - and it was - but for me it was absolutely worth every bit of the effort I put in. And here's the result (I was thinking of calling it Ali - as in Mohammed Ali - since it beat all contenders):
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#23 (permalink) |
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Re: R9 - any bad years to stay away from?
HEY MOTORCYCLE, YOUR DEAD ON RIGHT ABOUT HOW TO EVALUATE AN ELECTRIC PRIOR TO PURCHASE. [I] HAVE NEVER PLUGGED AN ELECTRIC IN BEFORE GOING THROUGH THE SAME PROCESS. A GOOD LP SHOULD SOUND FAT, SHARP, LOUD AND CRISP ALL THE WAY UP THE NECK AND THE HEAD STOCK SHOULD BE ROCKIN. ONE OTHER TEST IS PLAY CORDS AND PUT YOUR EAR TO THE BOUT. iF IT RINGS OUT LIKE A SYMPHONY FULL OF HARMONICS, YOUR IN BUSINESS. ANY LP THAT PASSES THOSE TESTS WILL SOUND GOOD PLUGGED INTO ANY AMP. GOOD ADVISE
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#24 (permalink) | |
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Re: R9 - any bad years to stay away from?
Quote:
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#25 (permalink) | |
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Re: R9 - any bad years to stay away from?
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#27 (permalink) |
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Re: R9 - any bad years to stay away from?
People get confused with reissue, Custom shop, Historic Collection (which started two years before the Historics) Historic, VOS, R9, preissues, preHistoric etc. It would take a pretty complex venn diagram to explain it all.
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#29 (permalink) | |
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Re: R9 - any bad years to stay away from?
Quote:
(I'm confused )Chambered guitars don't have holes drilled in them, they're practically gutted. This is chambering:
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#30 (permalink) |
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Re: R9 - any bad years to stay away from?
R9 VOS and R9 RI are the same thing. In fact, there is no "RI" as the R in R9 means Reissue. VOS is a finish style but Gibson uses that designation as a series name. You might look at the VOS series as the standard for historics with the aged finish and aged hardware. But they offer gloss as a special upgrade finish. So the historics are currently all VOS with the noted exception of the gloss upgrade.
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