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#2 (permalink) | |
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Senior Member
Join Date: Nov 2010
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Re: Why type of pick is best for a LP Trad?
There's no "best pick" for any guitar. It's about feel and what sound you want. Go buy a bunch of different picks and find which you like best.
I find thin picks tend to have less accuracy to a small degree, but they have a snappier sound. When I was younger I'd use them because they tend to compensate for shitty playing. With hard picks, if you want to rake over the strings you kinda have angle it so it doesn't get caught. I tend to bring a pick holder with an assortment and change picks based on what song I'm playing. For most of my playing I use a dunlop stubby 3 mm, it's got a rounded body so it slips over strings easier. It's the sound of a hard pick with the feel of a thin one. It's also more of a teardrop shape, I find I'm more accurate and much faster with this pick than with any other. Pinch harmonics are really easy with this thing.
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2010 Gibson SG 60's Standard w/ coil taps Quote:
Orange Tiny Terror 1x12 combo Fender Princeton 650 |
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#3 (permalink) |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
No, I'm sorry.
There's only one proper pick for an LP Trad. The Gravity Picks Razer in 3mm. In blue. Gravity Guitar Picks — Razer Standard 3mm |
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#4 (permalink) | |
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Banned
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Re: Why type of pick is best for a LP Trad?
Quote:
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#6 (permalink) |
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Pedal Peddler
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Re: Why type of pick is best for a LP Trad?
![]() For me, the heavier the better when I don't drop em, then it's all fingers/thumb combo. Been thinking of nabbing some of those bone picks they always advertise in the back of magazines, but I think they'd fly out of my hands as fast as any. |
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#7 (permalink) |
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They call me Grand Toad!
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Re: Why type of pick is best for a LP Trad?
Dunlop Jazz III.
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"Never argue with stupid people. They will drag you down to their level and then beat you with experience." ― Mark Twain |
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#9 (permalink) |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
There's no "best" pick for any model of guitar.
There's only "favorite picks" for each guitarist. |
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#10 (permalink) |
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They call me Grand Toad!
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Re: Why type of pick is best for a LP Trad?
Slash tone? We don't need no stinking Slash tone.
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"Never argue with stupid people. They will drag you down to their level and then beat you with experience." ― Mark Twain |
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#11 (permalink) |
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Premium Member
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Re: Why type of pick is best for a LP Trad?
Try starting with either the yellow or green Dunlops and either go thinner or thicker depending on what you think feels right.
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#12 (permalink) |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
What type of amp is best for my Les Paul?
What type of power cable is best for my Marshall? What type of ... is good for my ... ? Try it and find out, at least picks are usually less than a buck, sometimes only a quarter! |
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#13 (permalink) |
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MLP Cub Reporter
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Re: Why type of pick is best for a LP Trad?
go buy a bunch of different picks, it won't empty your bank account and it's good to have a fair few laying around.
my collection goes from about ~.1 (is waferrr thin) to about 2.8mm ranging in materials, plastic, nylon, celluloid etc. go get a bunch of picks try them all, I personally don't use the same ones for everything or the same one on each guitar for the same style.
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#14 (permalink) | |
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Re: Why type of pick is best for a LP Trad?
Quote:
Odds are, you're talking about medium weight celluloid picks. If picks are hamburgers, the Fender medium celluloid is the Big Mac of the pick world. Personally, I'm not fond of that material, but if it works for you, that's great--and that's all you need. As suggested above, I'd blow $30 at MF buying different pick materials, shapes and weights. That'll get your feet wet and allow you to zero in on materials you like for tactile and tone reasons. I really like the Clayton line's slightly larger conventional pick shape because it gives me a bit more control with my gorilla-sized hands. Within that line, I like specific materials for distinct tonal properties. I also use specific weights for specific purposes. If I'm turning the gain up and settling in for a bit of wanking, nothing beats a Dunlop Jazz III. In short, you just have to spend some time, money, and effort figuring out what feels good for you...and don't forget your thumb! |
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#16 (permalink) | |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
Quote:
Picks are easy. |
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#18 (permalink) |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
I like experimenting with picks ... and without picks.
Go commando, it'll change the way you hear things. I came up with a cool blues thing last night that will become a song one day by dropping my pick and not wanting to stop and fetch it out of the guitar. |
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#19 (permalink) | |
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Re: Why type of pick is best for a LP Trad?
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#20 (permalink) |
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Bartlett Retrospec Member
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Re: Why type of pick is best for a LP Trad?
I tried every pick I could until I settled on Herco Flex 75's or Jazz III XL's. Took me a few years to finally settle into what is best for me. It'll probably work the same for you.
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Gibsons: 1979 GK-55 1984 Flying V 2011 LP Traditional Faded 2011 LP 60's Tribute Others: Danelectro Hodad (Bigsby) Burny "Rock'n Roll Version" DC JR Kraken Legion 7 Epiphone DC LP Special Jackson RR Pro Larrivee L-09 Rig: Soldano Hot Rod 50 s/n 1911 Saxon 2x12/UK G12M Fairfield Barbershop OD ![]()
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#21 (permalink) | |
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Re: Why type of pick is best for a LP Trad?
Quote:
I tried using Fender pics with both my LPs, but they sounded too thin.
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"If LPs were women, Epis would be the gold-diggers; Most of them are beautiful, but just end up taking all of your money!" - Me (So, I quoted myself! Big whoop! Wanna fight about it?!) |
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#22 (permalink) | |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
No, actually it's the other way around.
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2010 Gibson SG 60's Standard w/ coil taps Quote:
Orange Tiny Terror 1x12 combo Fender Princeton 650 |
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#23 (permalink) | |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
Quote:
I would definitely try some heavy picks, pronto. You'll be able to feel the strings absorbing the extra energy that a heavy pick imparts, and this should give you a better sense for how the pick and string react together. Also, doing so will likely make it clear to you why a light touch is preferable to string bashing, you'll hear it and you'll get it--it's just something you have to learn via touch, I'm afraid. Also, remember that different materials behave differently at different thicknesses. Light celluloid picks are really floppy, medium celluloid picks are kinda stiff, and thick celluloid picks are really stiff. My favorite pick material for rock is really stiff at thin thicknesses, and my favorite material for warm picks is pretty stiff at "medium" thicknesses. I wish I could be more specific about things, but it really is incumbent upon you to experiment. Only you know what feels and sounds right, and that may change with time, so keep experimenting--and don't forget your thumb!!! |
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#25 (permalink) |
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Re: Why type of pick is best for a LP Trad?
I see that claim so frequently, there must be something behind it, and I've often wondered about it.
When I was younger, slimmer, and playing really fast, I found it handy to start the first song of the set with a light acetal pick to slow me down and keep myself from bashing the strings. Granted, I was playing string bashing music at the time, so perhaps I'm a bad test case? At any rate, it seems to defy a common sense comprehension of physics--which real physics has a nasty habit of doing
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#26 (permalink) | |
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Re: Why type of pick is best for a LP Trad?
Quote:
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Guitars 2011 Martin D-18 2006 SRV Strat 2007 59 Thinskin Strat White Blonde 2012 Gibson Traditional Plus Ice Tea 1997 Martin D-1 2011 Martin D-35 |
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#29 (permalink) |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
O____O'
pick ??? LOL
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#30 (permalink) |
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Senior Member
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Re: Why type of pick is best for a LP Trad?
I use Fender heavy's but for some reason they don't work when I use my Traditional...
![]() is this a real serious question or satire? Honestly its tougher and tougher each day to determine the parody threads from the real ones
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