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#1 (permalink) |
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Senior Member
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Standards and Customs
So...the LP Standard Plaintops go for around £350 here in the UK. Customs go for about £100 more.
Are they making me shell out an extra 100 just for gold hardware, square inlays(which are just wierd), slightly different pups, and a bit more binding? Wait, for £450 you can get a used Gibson LP Studio Faded. Apart from the Limited Edition line of Customs, I don't see the point in buying Customs. Sure they're purdy. But for the same price a used Gibson is in reach! Am I the only one thinking this?
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'10 Epiphone Les Paul Standard Plaintop in Heritage Cherry Sunburst(ギー太?) ![]() '09 First Act SFA Series 1 Lola CE-120 in Gloss Black Behringer UM300 Ultra Metal Distortion Pedal Vox Cambridge 30 Reverb Vox AmPlug Azusa Ver. |
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#3 (permalink) | |
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Re: Standards and Customs
Get out your asbestos, bud.
Quote:
Take note of the disclaimers. |
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#4 (permalink) |
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Senior Member
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Re: Standards and Customs
I guess it boils down to whether the extra 'bling' is important to you or not. Certainly won't make any difference to how the guitar sounds.
Mind you I guess the same argument applies to Gibson LP Studios vs Trad/Std LP's.
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Current Setup: Genevieve - My Epi Les Paul Standard in Natural Dot Studio in faded cherry with GFS Mean 90 in neck & Gibson 57 reissue in bridge. Home built 52 style tele with matched custom wound Bare Knuckle 'Yardbirds' Epi BC30 fitted with RCA Blackplates & a Mullard GZ34 Strat style bitsa known as the plank Korean Tanglewood TW400N Epi EJ200CE AXL Player PJ Bass Laney HCM30B Digitech GNX3 Yamaha AW16G http://www.soundclick.com/ianwigg Very little talent & big dreams! |
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#5 (permalink) | |
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Re: Standards and Customs
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For that matter, there are wide variations in tone even between two of the exact make and model. |
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#6 (permalink) | |
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Re: Standards and Customs
Quote:
I guess because the guitars are mostly(?) hand made and the neck joints may be different which can affect the resonance of the guitar in a big scale, and also the fact that wood is natural and not all planks of mahogany are the same. Depending on what part of which tree the guitar was cut out of also has a huge factor in the differences in tone between guitars of even the same model. As for the different pups in the Epi Customs, I really don't know about these. They claim to be 'Gibson designed' pickups or whatever but do they sound any different? ![]() I think I sort of missed your point but er...this is mine.
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'10 Epiphone Les Paul Standard Plaintop in Heritage Cherry Sunburst(ギー太?) ![]() '09 First Act SFA Series 1 Lola CE-120 in Gloss Black Behringer UM300 Ultra Metal Distortion Pedal Vox Cambridge 30 Reverb Vox AmPlug Azusa Ver. |
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#7 (permalink) | |
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Senior Member
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Re: Standards and Customs
Quote:
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Current Setup: Genevieve - My Epi Les Paul Standard in Natural Dot Studio in faded cherry with GFS Mean 90 in neck & Gibson 57 reissue in bridge. Home built 52 style tele with matched custom wound Bare Knuckle 'Yardbirds' Epi BC30 fitted with RCA Blackplates & a Mullard GZ34 Strat style bitsa known as the plank Korean Tanglewood TW400N Epi EJ200CE AXL Player PJ Bass Laney HCM30B Digitech GNX3 Yamaha AW16G http://www.soundclick.com/ianwigg Very little talent & big dreams! |
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#8 (permalink) |
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Re: Standards and Customs
Actually, there is a difference in sound between Epi Stds and Customs. The Custom is all mahogany, with no maple cap. It won't be as bright. Aside from that though, it's just bling. I'd save the extra $100 and buy a Gibson LP faded, but if you're looking used, there will be a bigger price difference.
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#9 (permalink) | |
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Senior Member
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Re: Standards and Customs
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Current Setup: Genevieve - My Epi Les Paul Standard in Natural Dot Studio in faded cherry with GFS Mean 90 in neck & Gibson 57 reissue in bridge. Home built 52 style tele with matched custom wound Bare Knuckle 'Yardbirds' Epi BC30 fitted with RCA Blackplates & a Mullard GZ34 Strat style bitsa known as the plank Korean Tanglewood TW400N Epi EJ200CE AXL Player PJ Bass Laney HCM30B Digitech GNX3 Yamaha AW16G http://www.soundclick.com/ianwigg Very little talent & big dreams! |
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#10 (permalink) | |
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Re: Standards and Customs
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Gibson Studios are not even constructed the same as the other two Gibson models you mentioned. Studios are C grade Mahogany ( 2-3 piece bodies) & Ebony (most versions with no maple cap and Chambered to boot. This is not to slag Studios BTW but to point out they are a different guitar altogether from STD, TRADs (unlike the Epis) Standards are chambered yes, but better mahogany (2 -piece), Maple cap,Rosewood fretboard and on some models arguably better PUS. Tras, are generally 1 -piece body, weight relieved, Maple Cap, rosewood fretboard and Classic 57s.
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#11 (permalink) |
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Re: Standards and Customs
Les Paul Customs with block inlays, which are around since 1954, are weird but those faded Studios are okay?
![]() Whatever, I guess some people just have to have that "Gibson" name on the headstock. |
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#18 (permalink) |
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Re: Standards and Customs
I'm saying for a little bit more you can get a guitar that is quite a lot 'better' than the Custom. The faded Studios are fine, and there's nothing a refin can't fix.
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'10 Epiphone Les Paul Standard Plaintop in Heritage Cherry Sunburst(ギー太?) ![]() '09 First Act SFA Series 1 Lola CE-120 in Gloss Black Behringer UM300 Ultra Metal Distortion Pedal Vox Cambridge 30 Reverb Vox AmPlug Azusa Ver. |
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#20 (permalink) | |
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Re: Standards and Customs
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Go play an Elitist or any MIJ But hey, I get it, you spent 1500+ on a guitar and only wish to justify it by thinking that you have the best of the best, I see no problem there
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#21 (permalink) | |
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Re: Standards and Customs
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i was talking about those who thinks a regular epiphone is better than a lower priced gibson, and they`re not. i am thinking of buying a orville les paul |
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#22 (permalink) | |
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Re: Standards and Customs
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Each company has its do's and duds so to speak. If sticking to name, Epiphone tends to not be better than Gibson. There have been cases before where there have been very terrible Gibsons and very good Epiphones however. I do believe that you can make an Epiphone sound and play great, especially for the price you pay. I do not think you should have to make a Gibson sound and play great for the price you pay. This of course is all just my opinion, and I do respect yours.
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#23 (permalink) | |
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Re: Standards and Customs
Quote:
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#26 (permalink) |
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Re: Standards and Customs
I played a Gibson LP the other day, and it just felt a bit heavier than my Epiphone tbh.
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'10 Epiphone Les Paul Standard Plaintop in Heritage Cherry Sunburst(ギー太?) ![]() '09 First Act SFA Series 1 Lola CE-120 in Gloss Black Behringer UM300 Ultra Metal Distortion Pedal Vox Cambridge 30 Reverb Vox AmPlug Azusa Ver. |
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#27 (permalink) | |
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Senior Member
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Re: Standards and Customs
Quote:
Unplugged it was a lifeless piece of lumber and plugged in it was no better. Lacking in any degree of sustain, controls felt so loose they might not actually have been attached to anything, tonally it was flat and uninspiring. Obviously this was a bad guitar and not representative of all Gibson LP's but it does rather disprove the blanket statements that ALL Gibsons are better than Epiphones (or any other LP's for that matter) - there are some out there which patently aren't.
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Current Setup: Genevieve - My Epi Les Paul Standard in Natural Dot Studio in faded cherry with GFS Mean 90 in neck & Gibson 57 reissue in bridge. Home built 52 style tele with matched custom wound Bare Knuckle 'Yardbirds' Epi BC30 fitted with RCA Blackplates & a Mullard GZ34 Strat style bitsa known as the plank Korean Tanglewood TW400N Epi EJ200CE AXL Player PJ Bass Laney HCM30B Digitech GNX3 Yamaha AW16G http://www.soundclick.com/ianwigg Very little talent & big dreams! |
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#28 (permalink) | ||||
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Re: Standards and Customs
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#29 (permalink) |
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Re: Standards and Customs
Internet psychology is like a toilet that has backed up on you recently: you shouldn't trust it, because you'll never know when it's going to be full of sh*t.
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#30 (permalink) |
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Re: Standards and Customs
Gibson's gone through a lot of stuff the past few years. The flood, the Dusk Tiger, the awesome tribute LP Studios, the Fireturd, Paper Jamz....
This is also a part of Gibson's name, and it makes me wonder whether I actyally want one.
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'10 Epiphone Les Paul Standard Plaintop in Heritage Cherry Sunburst(ギー太?) ![]() '09 First Act SFA Series 1 Lola CE-120 in Gloss Black Behringer UM300 Ultra Metal Distortion Pedal Vox Cambridge 30 Reverb Vox AmPlug Azusa Ver. |
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