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#1 (permalink) |
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Gibson giving PLEK a bad name?
Some interesting rumors to munch on:
At the recent NAMM show, a quiet discussion may or may not have erupted. It may or may not have involved PLEK company officials and the independent techs who own PLEK machines over whether Gibson is ruining the reputation of PLEK because of the way that they're using the machines and the quality of the PLEK jobs that they're turning out. These independent techs purportedly noted to PLEK that they've been getting a LOT of factory PLEK'd Gibsons from customers and that the fretwork has been, well, not as good as you'd expect, and that a competent re-PLEK was required to get the guitars to play well. Apparently (again, unconfirmed) Gibson's production PLEK setup involves clamping a guitar into a big old fixture that *simulates* string tension on the neck and poking it into the PLEK machine for a run. What's different? A normal PLEK run takes a finished guitar, with the strings that will be used, under tension, and plots the neck as is. The tech running the machine will then make a whole raft of decisions (depending on his experience and knowledge) while looking at the "ideal" neck curve and fret setup next to the actual neck curve and fret setup. The guy running the PLEK machine is the most important computer in the process, and will adjust the machine in some subtle ways. For example, where a decision needs to be made to have some frets slightly lower than others (we're talking fractions of a hair), he will skew the machine to put the lower frets up near the nut, where it will make chording easier, while leaving the slightly higher frets down toward the pickups, which will make bending easier. This results in the machine removing the least amount of material in order to get the job done and makes the finished PLEK job even more playable. Gibson, however, is, uh, rumored to be taking guitars that have no bridges, no tuners and even no paint, and mechanically bending the necks in the fixture to simulate string tension, and then running the PLEK with a very generalized curve setting, with little regard to the actual needs of the neck. And, as some of you will recognize, a guitar changes after painting, and it's difficult to predict how. The results, as both PLEK company officials and independent techs have noted, are less than sterling, and PLEK...may or may not be very concerned with how this reflects on their reputation. OTOH, it is providing independent PLEK techs with an opportunity to explain to their clients why one PLEK job may not be equivalent to another PLEK job... |
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#2 (permalink) |
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Re: Gibson giving PLEK a bad name?
Well, that certainly sounds like Gibson.
The ones I played in the guitar store were still "hit and miss". Some guitars were really good, some were a horror...talking about 2008 onwards Staadards here. |
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#3 (permalink) |
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Re: Gibson giving PLEK a bad name?
....id rather have my guitar done by human, professial hands... i think plek is just a novelty...
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#5 (permalink) |
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Re: Gibson giving PLEK a bad name?
PLEK is amazing-when done right. My tech says the same thing, Gibson does the minimal, most cost saving thing you can do and call it a plek. Why? Because to do it right takes hours. Also, in the hands of the right guy, the plek isnt just a machine-it is just a tool. It's only as good as the guy running it. How much they take off, how close they can get to where they want to get it-it's all completely up to the tech. Then, when the guitar has had it's 3-5 passes in the machine, the tech still throws it down on the table and goes over it as he normally would. Pretty much as stated above-the tech is everything and makes all the important decisions. Not every plek is perfect. Sometimes you have to decide between taking off a ton of fret, or just making it as good as it can get. I have a guitar that the neck is just too bent. Put on 11-52s, baked it for a week to put more curve it in...just made it. We couldnt cut much at the top side, decisions had to be made to make it as good as we could get it over MOST of the neck. It gets a little dicey above 17 or so.The tech has to make those calls.
Gibson's use(or lack of) the plek system really dumbs it down to a manufacturing method to cut the frets down to what they think they want. I've watched the whole process, start to finish, and it just aint that great if you skip the pre-measure steps. I'm sure it cleans up the otherwise all-over-the-place frets that gibson is known for, but if you have a competent tech throw a pleked gibby in the machine-I'll bet it needs work.
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#6 (permalink) | |
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Re: Gibson giving PLEK a bad name?
Quote:
A couple of hours later the guitar was ready and the results could be seen on the PLEK's monitor (because the machine exaggerates the difference, it looks pretty dramatic) and felt in the hand. The decision-making process alone requires experience and competence -- we know of at least one guy who purchased a PLEK machine in Sacramento as a money-making venture, but who's turning out junk PLEKs by simply accepting defaults across the board. The "human, professional" knowledge required makes this simply a tool, like any other, that can produce outstanding quality or mediocrity. In Gibson's hands, it's apparently doing more of the latter (if the rumor is true). |
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#7 (permalink) |
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Re: Gibson giving PLEK a bad name?
I have no experience with Plek whatsoever. However one of these and a great luthier should produce an awesome neck. As a matter of fact I totally have to buy one.
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#8 (permalink) |
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Re: Gibson giving PLEK a bad name?
Another thing to remember is Gibson is doing the plek process really early in the "guitars life" so to speak. Before any string tension has been applied and allowed the neck to stablize.
Then on top of that the guitar is shipped god knows how many miles, seen significant climate and environment changes then hung on a wall for months possibly. At that point the neck has probably gone back and forth between back and upbow numerous times frankly negating any real advantage the original (sloppy and rushed) plek job might have been.
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#10 (permalink) | |
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Re: Gibson giving PLEK a bad name?
Quote:
I think they should be concerned. It's one thing to have the Luddites among us refusing to consider it. It's another to have even youngsters poo-pooing it because they've played a Plek'd guitar and been non-plussed. Never give a gun to ducks.
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#11 (permalink) |
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Re: Gibson giving PLEK a bad name?
These are a good start. There's a really lengthy (and very well done) thread in this very forum, called, "Complete Setup - Fretboard Scrape, Fret level, Bone Nut Carve, Intonation " (just run a search for it) that'll get into some considerable detail about doing your frets -- that radius sanding beam is just the starting point for good fretwork. A good tech (a luthier is the guy who builds the guitar, a tech is the guy who works on it thereafter) can do a great fret dress and setup without a PLEK machine. But the PLEK machine is designed to do it more quickly, more precisely and with the absolute minimum of material loss.
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#12 (permalink) |
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Re: Gibson giving PLEK a bad name?
I have a new SG 12 string with a horrible PLEK job. I called Gibson and they sent me a replacement bridge, I thought I would file the grooves to my liking but to my surprise the bridge was already PLEKED! So they actually run the machine on bridges even before they have a specific guitar for it. That is a shame!
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#13 (permalink) |
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Re: Gibson giving PLEK a bad name?
My G0 was factory Pleked and the action is perfecto.I have never played a Pleked or nonpleked guitar with better action. I HAVE played pleked with worse.
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#14 (permalink) | |
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Re: Gibson giving PLEK a bad name?
Quote:
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#15 (permalink) |
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Re: Gibson giving PLEK a bad name?
+1
It's just a pre-slotted bridge - not actually pleked. Back to the original thread '91 standard went off to be pleked last year and it plays great now.
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#16 (permalink) |
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Re: Gibson giving PLEK a bad name?
Gibson always do the absolute minimum and sell it for the absolute maximum.
Common knowledge really so why would you expect more.
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#17 (permalink) | |
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Re: Gibson giving PLEK a bad name?
Quote:
The PLEK is just another tool, as is a drill, file, or CNC machine. It's success can only be realized when a person utilizes it in a successful way. Unfortunate (too common) reality. |
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#18 (permalink) |
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Re: Gibson giving PLEK a bad name?
As long as the frets are level and the nut is cut accordingly to the proper height, that's all that anyone needs.
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#19 (permalink) | |
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Re: Gibson giving PLEK a bad name?
Quote:
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#20 (permalink) |
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Re: Gibson giving PLEK a bad name?
They just slot the centre of the saddles.
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Some say as a child he was adopted by old growth trees and that all of his tendons are actually topwrapped. All we know is he's called chrisuk. |
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#22 (permalink) |
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Re: Gibson giving PLEK a bad name?
I've purchased many new VOS Les Pauls and often times the 21st and 22nd frets are high, even after the Plek process.
And just like the OP observed, more often than not, the truss rod requires tightening right out of the box due to way too much relief. |
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#23 (permalink) |
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Re: Gibson giving PLEK a bad name?
I just googled the pro's and con's of Plek'ed guitars by gibson 2 days ago,and this exact thread came up..NOW ITS BACK FROM THE DEAD!!this post was created in 2010,and since then I can only assume that gibson has made improvements since.My question is have they made improvements???hahaha and are the gibsons that have the Plek'd now up to par?And are the guitars that have it in say 2010 garbage?I know it sounds like a dumb question,but I was looking at a few from that time,and I dont want to buy a turd..Im looking at the Traditionals
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#24 (permalink) | |
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Re: Gibson giving PLEK a bad name?
Quote:
There is no trick to this or hidden knowledge: you have to evaluate each guitar on it's own merits - if it plays great then it plays great.
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Some say as a child he was adopted by old growth trees and that all of his tendons are actually topwrapped. All we know is he's called chrisuk. |
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#26 (permalink) |
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Re: Gibson giving PLEK a bad name?
I wish Gibson would affix the frets to the board after the board has been affixed to the neck and pre-leveled. Then all of the frets might actually be .045 tall and require only minimal dressing from stock form. Plek or human, I had frets ranging from .039 tall to .45 tall on a new R7.
Come on. ![]() Gibson is giving Gibson a bad name.
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#27 (permalink) |
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Re: Gibson giving PLEK a bad name?
It seems to me that I have seen pictures of a finished Les Paul inside a Plek machine getting the treatment. Perhaps Gibson started out doing it properly, but then cut corners.
That would not surprise me at all.
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#28 (permalink) |
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I proper PLEK job takes around 1 1/2 to 2 hours to do correctly... The Gibson process takes about 20 minutes...
Last edited by thegaindeli; 05-16-2012 at 07:08 PM. |
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#29 (permalink) |
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Re: Gibson giving PLEK a bad name?
I agree that the PLEK is a tool, good or bad, it's how it's used that is of concern. It's really no different than taking you're guitar to a tech/luthier to set up. I used to take my guitar into the local tech to get it set up and he did a good job, he set it up as I asked and I never had any complaints. Then I needed some work done when he wasn't available and I took my guitar to a luthier in town to have the work done. When I got the guitar back it was like a completly differnt guitar - it plays and feels amazing!
The point of this is that the tech and the luthier had the same tools, more or less, but the luthier has more expereince and understanding of the guitar. From what I've here read a good PLEK job takes upto 2 hours. If Gibson was doing that they would get 4 guitars done in one 8hr shift. I don't know how many guitars Gibson rolls out a day but my guess it's more than 4.
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