Quote:
Originally Posted by mudfinger
Looks like a vari-tone circuit, essentially a 5 way switch with various levels of basscut, kinda like the opposit of a tone knob, but with preset values. One of the coolest electronics options Gibson ever came up with. 
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Actually, the vari-tone circuit does
exactly what a tone knob does but only when it's set to 1. The varitone shunts treble to ground at different cap levels.
Big D Guitars will give you the specs on my varitone. So, it's not a basscut, but a passive treblecut.
The big D is a great addition to this guitar. It essentially does LP/ES-355/Tele all in one, with the varitone and the coil-tapping. Not to mention that the Classic II pickups were basically made for this guitar. I've never heard pickups respond this well to a particular guitar: warm, full and sustaining, all the while being clear as a bell.
We'll have to see how she competes with my DGN '59 Replica when it gets here next week, but she surely beats out my 2 deluxe strats and my Tele for the whole package of 'versatility, tone, and feel'.
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Maestro and the Muse
And the collection is up to 13... (Ezra, Nigel, Ophelia, Gabriel, Fiona, Sylvia, Liesl, Jenny, Eli, Amelia, Mackayla, Gillian and Riley)
Maestro uses exclusively:
DGN Custom Guitars Humbucker Pickups in his LPs and ES-335
Klein Single Coil Pickups in his Fender guitars and basses